Cats has been referenced and satirised many times on screen; from the films Six Degrees of Separation[293] and Team America: World Police,[341] to the sketch comedy Saturday Night Live, and animated series like Family Guy, The Simpsons and BoJack Horseman,[342] as well as live action comedies including The Golden Girls, Caroline in the City, Glee and Unbreakable Kimmy Schmidt.[343][344] An episode of the musical television series Crazy Ex-Girlfriend, titled "I Need Some Balance", parodied Cats by having all the songs sung by anthropomorphic cats who "introduce [themselves] over '80s Broadway beats".[345]
Domestic cats, especially young kittens, are known for their love of play. This behavior mimics hunting and is important in helping kittens learn to stalk, capture, and kill prey.[172] Cats also engage in play fighting, with each other and with humans. This behavior may be a way for cats to practice the skills needed for real combat, and might also reduce any fear they associate with launching attacks on other animals.[173]
Cats started the megamusical phenomenon, establishing Broadway as a global industry and directing its focus to big-budget blockbusters, as well as family- and tourist-friendly shows. Its profound but polarizing influence also reshaped the aesthetic, technology, and marketing of the medium. The musical was adapted into a direct-to-video film in 1998, with a feature film adaptation by Tom Hooper set to follow in 2019.
Owing to the close similarity between play and hunting, cats prefer to play with objects that resemble prey, such as small furry toys that move rapidly, but rapidly lose interest (they become habituated) in a toy they have played with before.[174] Cats also tend to play with toys more when they are hungry.[175] String is often used as a toy, but if it is eaten, it can become caught at the base of the cat's tongue and then move into the intestines, a medical emergency which can cause serious illness, even death.[176] Owing to the risks posed by cats eating string, it is sometimes replaced with a laser pointer's dot, which cats may chase.[177]
Owing to the close similarity between play and hunting, cats prefer to play with objects that resemble prey, such as small furry toys that move rapidly, but rapidly lose interest (they become habituated) in a toy they have played with before.[174] Cats also tend to play with toys more when they are hungry.[175] String is often used as a toy, but if it is eaten, it can become caught at the base of the cat's tongue and then move into the intestines, a medical emergency which can cause serious illness, even death.[176] Owing to the risks posed by cats eating string, it is sometimes replaced with a laser pointer's dot, which cats may chase.[177]
Reactions to the original Broadway production were mixed.[302] In his review for The New York Times, Frank Rich noted that the main draw of the show was that it "transports the audience into a complete fantasy world that could only exist in the theater". He attributed much of this "wondrous spectacle" to Nunn's direction, Napier's set and costume designs, as well as the talented cast. Rich found many of Lloyd Webber's songs to be "cleverly and appropriately" pastiche, and was impressed with how Lynne and Nunn distinguished each character through personalised movement. However, he panned Lynne's choreography and felt that the musical failed in its vague attempt to tell a story. Overall, he wished that the show had more "feeling to go with its most inventive stagecraft."[303] Clive Barnes of the New York Post concluded his review saying: "Its importance lies in its wholeheartedness. It is a statement of musical theater that cannot be ignored, should prove controversial and will never be forgotten."[304]
Meanwhile, the first Canadian national production premiered in March 1985 at the Elgin and Winter Garden Theatres in Toronto, Ontario. It moved to Montreal two years later and then toured other parts of Canada. By the time the production closed in August 1989, it had become the most successful Canadian stage production of all time with a box office of $78 million from nearly 2 million tickets.[118][128] A second Canadian touring company began in 2013, 28 years after the first one launched.[129]
Reactions to the original Broadway production were mixed.[302] In his review for The New York Times, Frank Rich noted that the main draw of the show was that it "transports the audience into a complete fantasy world that could only exist in the theater". He attributed much of this "wondrous spectacle" to Nunn's direction, Napier's set and costume designs, as well as the talented cast. Rich found many of Lloyd Webber's songs to be "cleverly and appropriately" pastiche, and was impressed with how Lynne and Nunn distinguished each character through personalised movement. However, he panned Lynne's choreography and felt that the musical failed in its vague attempt to tell a story. Overall, he wished that the show had more "feeling to go with its most inventive stagecraft."[303] Clive Barnes of the New York Post concluded his review saying: "Its importance lies in its wholeheartedness. It is a statement of musical theater that cannot be ignored, should prove controversial and will never be forgotten."[304]
Kitten Canon is a classic physics game. Fluffy has found his way into your cannon again, that dang cat just never listens and doesn't care! The only way you can teach it a lesson is by firing that cannon into a field of bombs, spikes, springs, and other awesome obstacles! From the mind of Dan Fleming comes a game that only Dan Fleming could invent: Kitten Canon!! This is a classic launch game with a solid physics engine that allows you to accurately predict where and how fast you can launch Fluffy. Fluffy is a naughty cat so don't worry too much about their well being, it really is Fluffy's own fault for being in the cannon in the first place. Now its your chance to teach Fluffy a lesson in this fun action puzzler!

Encouraged by the reception to the first West End revival, producers began looking to bring Cats back to Broadway in early 2015.[108] The Broadway revival opened on 31 July 2016 at the Neil Simon Theatre.[109] It featured new choreography by Andy Blankenbuehler, with Nunn and Napier from the original creative team returning to direct and design respectively.[110] Scherzinger, who played Grizabella in the 2014 West End revival, had originally agreed to reprise the role on Broadway but later withdrew.[111] Leona Lewis was cast as Grizabella instead and was ultimately succeeded by Mamie Parris in October 2016.[64] The Broadway revival closed on 30 December 2017 after 16 previews and 593 performances.[109]


Cats introduced a marketing strategy that set the template for subsequent megamusicals. Early advertisements for the musical did not feature traditional pull quotes (despite many positive reviews) or any of the cast, focusing instead on branding the show itself as the star. It did this by adopting — and then aggressively promoting — a single recognisable image (the cat's-eyes logo) as the face of the show.[321] The cat's-eyes logo was the first globally marketed logo in musical theatre history,[88] and was paired with a tagline ("now and forever") to create what The Daily Telegraph called "one of musical theatre's greatest posters".[322] Such branding emblems proved equally effective for later megamusicals, as seen with the waif Cosette for Les Misérables and the Phantom's mask for The Phantom of the Opera. This advertising method had the additional effect of diminishing the importance of critical reviews, popularising the so-called "critic-proof" status of megamusicals.[321]
Clio Yun-su Davis is a game designer and writer who creates larps, tabletop roleplaying games, interactive fiction games, and card games. Their freeform game The Long Drive Back from Busan won the Golden Cobra Challenge award for Best Game That Incorporates Meaningful, Non-Romantic Relationships in 2017, and their game about the future of ancestor worship, The Truth About Eternity, was presented at Fastaval 2019 in Denmark. http://www.cysdavis.com 
"Cats" first premiered on London's West End 38 years ago and the hit musical, which also ran on Broadway for 18 years, will soon be back and bigger than ever — on the silver screen, that is. The first trailer for the upcoming "Cats" film was revealed on Friday, and fans got a glimpse of what Jennifer Hudson, Taylor Swift and other stars look like as singing and dancing felines.
Ekaterina Kazartseva says, “Hi!” She’s mostly known as Pinguinlog. She’s been drawing since childhood and has been doing it professionally for the past six years. “Mostly I’m interested in drawing nature and animals. I think we can learn a lot from the world around us, so I like to explore it from different angles.” She’s also the happy owner of a Caique parrot, Arthur, and two precious cats, Kitty and Sassy, who give her constant inspiration and good reference for Magical Kitties.
There have been numerous notable performers in the Japanese production, including Shintarō Sonooka as Munkustrap (original 1983 cast),[170] Kanji Ishimaru as Skimbleshanks (1992),[171] Masachika Ichimura, and Mayo Kawasaki.[172] Yoshiko Hattori (ja:服部良子) holds the production's record for the longest-appearing cast member; she played Jennyanydots in the original 1983 cast and remained in the role for 20 years with a final performance tally of 4,251.[172]
You’ll get five (5) copies of the Deluxe Edition of Magical Kitties Save the Day, the benefits of the Make Your Kitty Magical backer level, and game creator Matthew J. Hanson will run a session of Magical Kitties Save the Day for you and up to four of your friends. If arrangements can be made to do this in person (in Minneapolis/St. Paul or at a convention Matthew is attending), we will do so. If not, the game will be run via video chat. (Scheduling subject to Atlas Games’ approval.)
Besides Japan, Cats is also produced regularly in other parts of Asia. The region has hosted numerous English-language productions of the musical, beginning with a tour from 1993 to 1994 when it played in Singapore (with local actress Jacintha Abisheganaden as Grizabella),[248] Hong Kong and South Korea.[249] Cats returned to Asia from 2002 to 2004 when it visited Malaysia,[250] South Korea,[251] Shanghai,[252] Taipei and Beijing;[253][254][255] the 2004 cast included Slindile Nodangala in the role of Grizabella.[254] A touring company visited Asia again between 2007 and 2010, including stops in Taiwan,[205] Macau, and Thailand in 2007;[256] South Korea from 2007 to 2009;[257] China in 2008;[258] Singapore and Hong Kong in 2009 (with Delia Hannah playing Grizabella);[238][259][260] and Manila in 2010 (with Lea Salonga as Grizabella).[261] Cats toured Asia again from 2014 to 2015, making stops in South Korea, Singapore and Macau.[262] Two years later, another international tour was launched and is scheduled to run through 2020, with visits to South Korea from 2017 to 2018,[263] Hong Kong[264] and Taiwan in 2018,[265] China in 2018 (with Joanna Ampil as Grizabella) and 2019,[266][267] and planned stops in the Philippines and Singapore in 2019, and Malaysia in 2020.[267]

Niacin is an essential vitamin for the cat; dietary deficiency can lead to anorexia, weight loss and an increase in body temperature.[119] Biosynthesis of niacin occurs by metabolism of tryptophan via the kynurenine pathway to quinolinic acid, the niacin precursor. However, cats have a high activity of picolinic acid carboxylase, which converts one of the intermediates to picolinic acid instead of quinolinic acid.[120] As a result, niacin can become deficient and require supplementation.[121]

Cats and many other animals have a Jacobson's organ in their mouths that is used in the behavioral process of flehmening. It allows them to sense certain aromas in a way that humans cannot. Cats are sensitive to pheromones such as 3-mercapto-3-methylbutan-1-ol,[86] which they use to communicate through urine spraying and marking with scent glands.[87] Many cats also respond strongly to plants that contain nepetalactone, especially catnip, as they can detect that substance at less than one part per billion.[88] About 70–80% of cats are affected by nepetalactone.[89] This response is also produced by other plants, such as silver vine (Actinidia polygama) and the herb valerian; it may be caused by the smell of these plants mimicking a pheromone and stimulating cats' social or sexual behaviors.[90]

The original London production received mostly rave reviews, with critics hailing it as a watershed moment in British musical theatre.[295] Michael Billington of The Guardian lauded Cats as "an exhilarating piece of total theatre". Billington praised the show's "strong framework" and the ease in which the poems were integrated. He was also very impressed by Lloyd Webber's fitting compositions, Napier's environmental set, Lynne's effective and at times brilliant choreography, and Nunn's "dazzling staging" that makes use of the entire auditorium.[296] The show received similarly glowing reviews from The Sunday Times' Derek Jewell and The Stage's Peter Hepple. Jewell proclaimed it to be "among the most exhilarating and innovative musicals ever staged",[295] while Hepple declared that with Cats, "the British musical has taken a giant leap forward, surpassing in ingenuity and invention anything Broadway has sent us".[297]
Despite moderate hits with Jesus Christ Superstar and Evita, Lloyd Webber was still relatively unknown to the general public before Cats, especially in the US. With Cats, he became a big celebrity in his own right.[318] The musical also established the theatrical careers of the original creative and production team. Following Cats, they collaborated on other global blockbusters including Starlight Express (composed by Lloyd Webber, directed by Nunn and designed by Napier), Les Misérables (directed by Nunn, designed by Napier and produced by Mackintosh), and The Phantom of the Opera (composed by Lloyd Webber, choreographed by Lynne and produced by Mackintosh).[1][335]

Cats are ready to go to new homes at about 12 weeks of age, when they are ready to leave their mother.[184] They can be surgically sterilized (spayed or castrated) as early as 7 weeks to limit unwanted reproduction.[185] This surgery also prevents undesirable sex-related behavior, such as aggression, territory marking (spraying urine) in males and yowling (calling) in females. Traditionally, this surgery was performed at around six to nine months of age, but it is increasingly being performed before puberty, at about three to six months.[186] In the US, about 80% of household cats are neutered.[187]
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Cats is completely told through music with no dialogue in between the songs,[74] although there are occasions when the music accompanies spoken verse. Lloyd Webber's compositions employ an eclectic range of musical styles so as to magnify the characters' contrasting personalities.[4] For example, the rebellious Rum Tum Tugger is introduced with a rock song ("The Rum Tum Tugger"); the fallen Grizabella is accompanied by a dramatic operatic aria ("Grizabella: The Glamour Cat"); Old Deuteronomy makes his grand entrance to a lullaby-turned-anthem ("Old Deuteronomy"); and Gus' nostalgia for the past is reflected through an old-fashioned music hall number ("Gus: The Theatre Cat").[16] Many of the songs are pastiches of their respective genres, which Snelson attributes to the show's origins as a song cycle:
Here in eight lines Eliot was describing an intensely recognizable character with powerful human resonances, while introducing the themes of mortality, and the past, which occur repeatedly in the major poems. We decided that if Eliot had thought of being serious, touching, almost tragic in his presentation of a feline character, then we had to be doing a show which could contain that material, and the implications of it. Furthermore, we would have to achieve the sense of progression through themes more than incidents.[17]

Cats has been produced by various professional regional theatre companies. Broadway Sacramento staged the musical in 2003 and 2009 at the Wells Fargo Pavilion. Both productions featured Ken Page reprising his role as Old Deuteronomy from the original Broadway production, along with Jacquelyn Piro Donovan as Grizabella and Jeffry Denman as Munkustrap.[283][284] A 2010 amphitheatre production at The Muny starred Page as Old Deuteronomy, Stephanie J. Block as Grizabella and Lara Teeter as Munkustrap.[285] The La Mirada Theatre for the Performing Arts staged the musical in 2014, with a cast that included Todrick Hall as Rum Tum Tugger.[286]
Despite mixed reviews when Cats opened in New York in 1982, critics agreed that it was innovative and visually spectacular in ways that Broadway had never seen before.[304] The musical became a cultural phenomenon and has had a profound influence on the medium.[312] Cats established musical theatre as a global commodity,[313][314] marking the beginning of a new era in the industry that is characterised by huge global stakes for potentially even huger global profits.[313] It led the shift in the Broadway market towards big-budget blockbusters and shows that appeal to families and tourists,[88][315] which in turn left smaller productions struggling to compete.[314] Cats also ushered in a "golden age of British musicals" which saw West End exports dominate the industry for nearly two decades.[316][317] Musical theatre historian Vagelis Siropoulos asserted that its "seminal Broadway opening" was "comparable only to Rodgers and Hammerstein's Oklahoma! thirty nine years ago."[313]
The cat (Felis catus) is a small carnivorous mammal.[1][2] It is the only domesticated species in the family Felidae and often referred to as the domestic cat to distinguish it from wild members of the family.[4] The cat is either a house cat or a farm cat, which are pets, or a feral cat, which ranges freely and avoids human contact.[5] A house cat is valued by humans for companionship and for its ability to hunt rodents. About 60 cat breeds are recognized by various cat registries.[6]
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