Cats debuted on Broadway on 7 October 1982 at the Winter Garden Theatre with a record-breaking $6.2 million in ticket pre-sales.[27] Most of the original creative team remained, with Martin Levan replacing Jacob as the sound designer and Stanley Lebowsky replacing Rabinowitz as music director. The musical was co-produced by the original London production team, along with David Geffen and The Shubert Organization.[103] It was the most expensive Broadway show ever mounted at the time with a production cost of $5.5 million,[104] though it recouped its investment in less than 10 months.[100] On 19 June 1997, Cats overtook A Chorus Line to become the longest-running show in Broadway history with 6,138 performances.[105] At the time, the musical was found to have had an economic impact of $3.12 billion on New York City and had generated the most theatrical jobs of any single entity in Broadway history.[95] A June closing date was announced in early 2000 but was subsequently pushed back after a resulting surge in ticket sales.[106] The show closed on 10 September 2000 after a total of 13 previews and 7,485 performances.[103] One actress, Marlene Danielle, performed in the Broadway production for its entire 18-year run.[72] Its Broadway-run record was surpassed on 9 January 2006 by The Phantom of the Opera, and Cats remains Broadway's fourth-longest-running show of all time. Overall, the original Broadway production grossed approximately $388 million in ticket sales.[107]


^ Jump up to: a b Lipinski, Monika J.; Froenicke, Lutz; Baysac, Kathleen C.; Billings, Nicholas C.; Leutenegger, Christian M.; Levy, Alon M.; Longeri, Maria; Niini, Tirri; Ozpinar, Haydar (2008). "The Ascent of Cat Breeds: Genetic Evaluations of Breeds and Worldwide Random-bred Populations". Genomics. 91 (1): 12–21. doi:10.1016/j.ygeno.2007.10.009. PMC 2267438. PMID 18060738.
Domestic cats select food based on its temperature, smell and texture; they dislike chilled foods and respond most strongly to moist foods rich in amino acids, which are similar to meat.[113][133] Cats may reject novel flavors (a response termed neophobia) and learn quickly to avoid foods that have tasted unpleasant in the past.[133] They may also avoid sugary foods and milk. Most adult cats are lactose intolerant; the sugars in milk are not easily digested and may cause soft stools or diarrhea.[133][166] They can also develop odd eating habits. Some cats like to eat or chew on other things, most commonly wool, but also plastic, cables, paper, string, aluminum foil, or even coal. This condition, pica, can threaten their health, depending on the amount and toxicity of the items eaten.[167][168] See also Animal psychopathology § Pica.
In Magical Kitties Save the Day, one player — known as the Game Master (GM) — has a very special role. They describe the world in which the magical kitties live to the other players and, when the kitties take action, they use the rules of the game to figure out what happens next. Magical Kitties also includes “Magical Kitties & The Game Master’s First Adventure.” Just as The Big Adventure will walk new players through how to play the game, “The Game Master’s First Adventure” will walk first-time Game Masters through how to run the game for their friends and family.

Cats is a sung-through musical composed by Andrew Lloyd Webber, based on the 1939 poetry book Old Possum's Book of Practical Cats by T. S. Eliot. It tells the story of a tribe of cats called the Jellicles and the night they make the "Jellicle choice", deciding which cat will ascend to the Heaviside Layer and come back to a new life. The musical includes the well-known song "Memory" as sung by Grizabella.


"Growltiger's Last Stand" has been criticised as being racially offensive. The original lyrics, taken directly from the Eliot poem it is based on, included the ethnic slur "Chinks" and this was later replaced with the word "Siamese".[32] The number also originally involved the cast putting on "Asian accents" to portray the Siamese cats.[305] In the 1998 video version, the entire scene featuring Growltiger was cut.[387] By 2016, "Growltiger's Last Stand" had been removed completely from the US and UK productions of the show.[32]
The "Growltiger's Last Stand" sequence has been changed multiple times over the course of the show's history. In the original London production, the "last duet" for Growltiger and Griddlebone was a setting for an unpublished Eliot poem, "The Ballad of Billy M'Caw". For the original Broadway production, the Ballad was replaced with "In Una Tepida Notte", a parody of Italian opera.[95] The mock aria was introduced so as to add more slapstick humour and its lyrics are based on the Italian translation of the "Growltiger's Last Stand" poem.[386] This new version was eventually incorporated into all other productions of Cats.[95]
Another unusual feature is that the cat cannot produce taurine,[note 1] with a deficiency in this nutrient causing macular degeneration, wherein the cat's retina slowly breaks down, causing irreversible blindness.[103] This is due to the hepatic activity of cystinesulfinic acid decarboxylase being low in cats. This limits the ability of cats to biosynthesize the taurine they need from its precursor, the amino acid cysteine, which ultimately results in inadequate taurine production needed for normal function. Deficiencies in taurine result in compensated function of feline cardiovascular and reproductive systems. These abnormalities can also be accompanied by developmental issues in the central nervous system along with degeneration of the retina.[118]
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November 1985 saw the premiere of a Norwegian-language production at Det Norske Teatret in Oslo. It closed in January 1987 and included performers such as Øivind Blunck, Brit Elisabeth Haagensli and Øystein Wiik.[118][193] Jorma Uotinen directed and choreographed a Finnish production at the Helsinki City Theatre that ran for over two years from September 1986 to December 1988, and featured Monica Aspelund as Grizabella, Heikki Kinnunen as Gus, and Kristiina Elstelä as Jennyanydots/Griddlebone.[194] A Swedish version of the musical opened in 1987 at the Chinateatern in Stockholm. The production was seen by 326,000 audiences before it transferred to the Scandinavium in Gothenburg two years later.[195]
^ Jump up to: a b Lipinski, Monika J.; Froenicke, Lutz; Baysac, Kathleen C.; Billings, Nicholas C.; Leutenegger, Christian M.; Levy, Alon M.; Longeri, Maria; Niini, Tirri; Ozpinar, Haydar (2008). "The Ascent of Cat Breeds: Genetic Evaluations of Breeds and Worldwide Random-bred Populations". Genomics. 91 (1): 12–21. doi:10.1016/j.ygeno.2007.10.009. PMC 2267438. PMID 18060738.
Lloyd Webber began composing the songs in late 1977 as a songwriting exercise, partly because Eliot's book had been a childhood favourite and partly to see if he could write music to predetermined lyrics. The compositions were performed privately for friends but Lloyd Webber had no further intentions for them at the time. After his song cycle Tell Me on a Sunday was televised by the BBC in early 1980, Lloyd Webber began to consider using his musicalizations of Eliot's poems in the same vein for a televised concert anthology.[8] He approached producer Cameron Mackintosh to discuss possible avenues for the songs.[9]
Finally, the Jellicle patriarch, Old Deuteronomy, arrives before the tribe ("Old Deuteronomy"). He is a wise old cat who "has lived many lives" and is tasked with choosing which Jellicle will go to the Heaviside Layer every year. The cats put on a play for Old Deuteronomy ("The Awefull Battle of the Pekes and the Pollicles"), telling a story about two dog tribes clashing in the street and subsequently being scared away by the Great Rumpus Cat. A sombre moral from Old Deuteronomy is interrupted by a second loud crash, presumably from Macavity, which sends the alarmed cats scurrying. After a quick patrol for Macavity, Old Deuteronomy deems it a false alarm and summons the cats back as the main celebration begins ("The Jellicle Ball"), in which the cats sing and display their "Terpsichorean powers".
Domestic kittens are commonly sent to new homes at six to eight weeks of age, but it has been suggested that being with their mother and litter-mates from six to twelve weeks is important for a kitten's social and behavioural development.[16] Usually, breeders and foster/rescue homes will not sell or adopt out a kitten that is younger than twelve weeks. In many jurisdictions, it is illegal to give away kittens younger than eight weeks of age.[18] Kittens generally reach sexual maturity at around seven months old. A cat reaches full "adulthood" around one year of age.[19]
In 2003, the International Commission on Zoological Nomenclature (ICZN) fixed the scientific name for the wildcat as F. silvestris. The same commission ruled that the domestic cat is a distinct taxon Felis catus.[40][41] Following results of phylogenetic research, the domestic cat was considered a wildcat subspecies F. silvestris catus in 2007.[42][43]
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