You’ve never played a roleplaying game, either? Purr-fect! Magical Kitties includes a lot of tools — including a solo play module so that you can start playing within moments of opening the box! — and guidance for both first-time roleplayers and first-time GMs. Whether you’ve played board games with roleplaying elements like Mice & Mystics or T.I.M.E. Stories, watched actual play videos, or just think roleplaying games sound like a lot of fun and you want to give them a try, Magical Kitties can be your first step into a larger world.
The original staging of Cats at the New London Theatre was considered revolutionary[85] and "one of the first truly immersive theatrical experiences".[34] Instead of a conventional proscenium, the theatre was quasi-in-the-round with a central revolving stage.[15][86] Nunn and Napier had sought to create "an environment rather than a set",[17] and around $900,000 was spent remodelling the New London in preparation for the show.[9] This included mounting sections of the stalls onto the theatre's 60 ft (18 m)[87] revolve such that the audience moved along with the stage.[16] When the show was brought to Broadway, the Winter Garden Theatre was given a similar $2 million makeover;[88] its proscenium stage was converted into a thrust, and a part of its roof was torn through to allow for the effects of Grizabella's ascension to the Heaviside Layer.[89]
With a third crash and an evil laugh, the "most wanted" cat Macavity appears. He is the so-called "Napoleon of Crime" who always manages to evade the authorities. Macavity's henchmen capture Old Deuteronomy and take off with the patriarch in tow. As Munkustrap and his troops give chase, Demeter and Bombalurina explain what they know about Macavity ("Macavity: The Mystery Cat"). When they are finished, Macavity returns disguised as Old Deuteronomy, but his cover is blown by Demeter and he ends up in a fight with Munkustrap and Alonzo. Macavity holds his own for a time, but as the rest of the tribe begin to gang up and surround him, he shorts out the stage lights and escapes in the resulting confusion.
^ Jump up to: a b Oliveira, R.; Godinho, R.; Randi, E.; Alves, P. C. (2008). "Hybridization Versus Conservation: Are Domestic Cats Threatening the Genetic Integrity of Wildcats (Felis silvestris silvestris) in Iberian Peninsula?". Philosophical Transactions of the Royal Society of London. Series B, Biological Sciences. 363 (1505): 2953–2961. doi:10.1098/rstb.2008.0052. PMC 2606743. PMID 18522917.
Cats have excellent hearing and can detect an extremely broad range of frequencies. They can hear higher-pitched sounds than either dogs or humans, detecting frequencies from 55 Hz to 79,000 Hz, a range of 10.5 octaves, while humans and dogs both have ranges of about 9 octaves.[80][81] Cats can hear ultrasound, which is important in hunting[82] because many species of rodents make ultrasonic calls.[83] However, they do not communicate using ultrasound like rodents do. Cats' hearing is also sensitive and among the best of any mammal,[80] being most acute in the range of 500 Hz to 32 kHz.[84] This sensitivity is further enhanced by the cat's large movable outer ears (their pinnae), which both amplify sounds and help detect the direction of a noise.[82]
Garth Graham was classically trained as an Industrial Designer, but he started his first webcomic back in college. Since then, he’s become an established freelance comic artist, foregoing all that higher education to tell stories with pictures. It’s kinda awesome. Mostly these days he draws StarPower, a super powered space adventure. You can visit him online at www.gcgstudios.com.
Encouraged by the reception to the first West End revival, producers began looking to bring Cats back to Broadway in early 2015.[108] The Broadway revival opened on 31 July 2016 at the Neil Simon Theatre.[109] It featured new choreography by Andy Blankenbuehler, with Nunn and Napier from the original creative team returning to direct and design respectively.[110] Scherzinger, who played Grizabella in the 2014 West End revival, had originally agreed to reprise the role on Broadway but later withdrew.[111] Leona Lewis was cast as Grizabella instead and was ultimately succeeded by Mamie Parris in October 2016.[64] The Broadway revival closed on 30 December 2017 after 16 previews and 593 performances.[109]

We recognize the expense many international backers need to pay in order to receive games from overseas. Digital versions of the game are an option you may want to consider. Atlas Games’ position as a long-established publisher of games also makes it very likely that your local game store will be able to carry copies of the Standard Edition of the game after its release. 

Cats introduced a marketing strategy that set the template for subsequent megamusicals. Early advertisements for the musical did not feature traditional pull quotes (despite many positive reviews) or any of the cast, focusing instead on branding the show itself as the star. It did this by adopting — and then aggressively promoting — a single recognisable image (the cat's-eyes logo) as the face of the show.[321] The cat's-eyes logo was the first globally marketed logo in musical theatre history,[88] and was paired with a tagline ("now and forever") to create what The Daily Telegraph called "one of musical theatre's greatest posters".[322] Such branding emblems proved equally effective for later megamusicals, as seen with the waif Cosette for Les Misérables and the Phantom's mask for The Phantom of the Opera. This advertising method had the additional effect of diminishing the importance of critical reviews, popularising the so-called "critic-proof" status of megamusicals.[321]
Following the closure of the original West End production, a nationwide tour embarked in 2003 with Chrissie Hammond starring as Grizabella,[146][147] until Dianne Pilkington took over the role in 2006.[148] Hammond reprised the role on tour again from 2007 to 2008.[149][150] A UK tour of Cats launched in February 2013 at the Edinburgh Playhouse with Joanna Ampil as Grizabella,[151][152] running through 2014 before transferring to the West End.[153] In between its limited West End runs, the musical returned to the Blackpool Opera House Theatre in 2015, this time starring Jane McDonald as Grizabella.[154][155] After the second West End revival, the production toured the UK in 2016 with Anita Louise Combe as Grizabella and Marcquelle Ward as Rum Tum Tugger.[156][157]
Feral cats are domestic cats that were born in or have reverted to a wild state. They are unfamiliar with and wary of humans and roam freely in urban and rural areas.[10] The numbers of feral cats is not known, but estimates of the US feral population range from 25 to 60 million.[10] Feral cats may live alone, but most are found in large colonies, which occupy a specific territory and are usually associated with a source of food.[206] Famous feral cat colonies are found in Rome around the Colosseum and Forum Romanum, with cats at some of these sites being fed and given medical attention by volunteers.[207]
It was long thought that cat domestication was initiated in Egypt, because cats in ancient Egypt were venerated from around 3100 BC.[11][12] However, the earliest indication for the taming of an African wildcat (F. lybica) was found in Cyprus, where a cat skeleton was excavated close by a human Neolithic grave dating to around 7500 BC.[13] African wildcats were probably first domesticated in the Near East.[14] The leopard cat (Prionailurus bengalensis) was tamed independently in China around 5500 BC, though this line of partially domesticated cats leaves no trace in the domestic cat populations of today.[15][16]
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