It's okay for a black man to be seen, and date, as long as it's not spoken outright, but as soon as a black woman does it, I'm a sellout, trying to get to something better with white men. It outrages me that I can't be myself without idiots trying to bring me down. I didn't say I don't like black men, I just said what I prefer . . . and for those who think I just started doing this, I've been ... See more »
Lloyd Webber began composing the songs in late 1977 as a songwriting exercise, partly because Eliot's book had been a childhood favourite and partly to see if he could write music to predetermined lyrics. The compositions were performed privately for friends but Lloyd Webber had no further intentions for them at the time. After his song cycle Tell Me on a Sunday was televised by the BBC in early 1980, Lloyd Webber began to consider using his musicalizations of Eliot's poems in the same vein for a televised concert anthology.[8] He approached producer Cameron Mackintosh to discuss possible avenues for the songs.[9]
During a fall from a high place, a cat reflexively twists its body and rights itself to land on its feet using its acute sense of balance and flexibility. This reflex is known as the cat righting reflex.[96] An individual cat always rights itself in the same way during a fall, provided it has sufficient time to do so. The height required for this to occur is around 90 cm (3.0 ft).[97] Cats without a tail also have this reflex.[98] Several explanations have been proposed for this phenomenon since the late 19th century:
Kittens are so cute, it’s understandable that cat owners sometimes wish their kittens could stay kittens forever. This is the when you, as the pet parent, lay the foundation for your cat’s future health and behavior. Not to mention, it’s the stage where you have to decide what food to buy, what vet to visit, and where to place the litterbox. Fortunately, all of your hard work during these first few months is compensated by loads of snuggling and adorability.
^ Jump up to: a b Cameron-Beaumont, Charlotte; Lowe, Sarah E.; Bradshaw, John W. S. (2002). "Evidence Suggesting Pre-adaptation to Domestication Throughout the Small Felidae" (PDF). Biological Journal of the Linnean Society. 75 (3): 361–366. doi:10.1046/j.1095-8312.2002.00028.x. Archived from the original (PDF) on 9 June 2011. Retrieved 29 September 2009.
Thomas Deeny is a graphic designer who specializes in book layout and game design. His layout work can be found in roleplaying games like John Wick Presents' 7th Sea, Atlas Games' Unknown Armies and Over the Edge, MCDM Production's Strongholds and Followers, and Modiphius Entertainment’s Star Trek Adventures. He lives in a house in the middle of a spooky forest at the edge of civilization.
Beyond the megamusical, Cats also led the Broadway trend for musicals aimed at families and tourists, which would later take the form of the Disney Theatrical Productions and jukebox musicals.[315][324] The marketing campaigns for the musical targeted family audiences at a time when this demographic was not a consideration in the industry.[324] Composer Joe Raposo said of family musicals in 1986: "Cats is a wonderful proof of what an audience is out there, untapped. People do want a theatrical experience for their children."[325] Thanks to its easily accessible spectacle, the original Broadway production also tapped into the then-burgeoning tourist boom in New York and its audience shifted increasingly towards foreign visitors in its later years.[321][314] Billington also specifically traces the rise of the jukebox musical genre back to Cats, citing the latter's disregard for dramatic text in favour of an all-encompassing theatrical experience.[326]

Many of the ensemble characters were created by the original cast through extensive improvisation sessions held during the rehearsal process. Said Nunn: "[O]n day one of rehearsals what we had was 15 poems set to music and five weeks later we had a show with characters, relationships and stories running from beginning to end."[24][25] The production faced a last minute mishap when Dench snapped her Achilles tendon during rehearsals for "The Old Gumbie Cat" and had to pull out one week before the first preview. Her understudy Myra Sands replaced her as Jennyanydots, while Elaine Paige agreed to take over the role of Grizabella. Opening night was pushed back to 11 May, but Mackintosh refused to postpone the previews as he wanted to dispel the industry rumours that the production was an impending debacle.[26]
Matthew J. Hanson, the creator of Magical Kitties Save the Day, has written RPG material for Kobold Press, Green Ronin Publishing, Dragon and Dungeon Magazines, EN Publishing, Expeditious Retreat Press and more. He also runs a small publishing company called Sneak Attack Press which produces both licensed work, like the silver ENnie Award-winning Broken Earth setting, and original RPGs, like Abstract Dungeon. He lives in Minneapolis with his wife, two cats, and 18-month old son. His son's first word was, in fact, "kitty."
In ancient Egypt, cats were sacred animals, with the goddess Bast often depicted in cat form, sometimes taking on the war-like aspect of a lioness.[265]:220 Killing a cat was absolutely forbidden[4] and the Greek historian Herodotus reports that, whenever a household cat died, the entire family would mourn and shave their eyebrows.[4] Families took their dead cats to the sacred city of Bubastis,[4] where they were embalmed and buried in sacred repositories.[4] The earliest unmistakable evidence of the Greeks having domestic cats comes from two coins from Magna Graecia dating to the mid-fifth century BC showing Iokastos and Phalanthos, the legendary founders of Rhegion and Taras respectively, playing with their pet cats.[266]:57–58[267]
^ Jump up to: a b Cameron-Beaumont, Charlotte; Lowe, Sarah E.; Bradshaw, John W. S. (2002). "Evidence Suggesting Pre-adaptation to Domestication Throughout the Small Felidae" (PDF). Biological Journal of the Linnean Society. 75 (3): 361–366. doi:10.1046/j.1095-8312.2002.00028.x. Archived from the original (PDF) on 9 June 2011. Retrieved 29 September 2009.
Outdoor cats are active both day and night, although they tend to be slightly more active at night.[126][127] The timing of cats' activity is quite flexible and varied, which means house cats may be more active in the morning and evening, as a response to greater human activity at these times.[128] Although they spend the majority of their time in the vicinity of their home, housecats can range many hundreds of meters from this central point, and are known to establish territories that vary considerably in size, in one study ranging from 7 to 28 hectares (17–69 acres).[127]
According to a myth in many cultures, cats have multiple lives. In many countries, they are believed to have nine lives, but in Italy, Germany, Greece, Brazil and some Spanish-speaking regions, they are said to have seven lives,[279][280] while in Turkish and Arabic traditions, the number of lives is six.[281] The myth is attributed to the natural suppleness and swiftness cats exhibit to escape life-threatening situations. Also lending credence to this myth is the fact that falling cats often land on their feet, using an instinctive righting reflex to twist their bodies around. Nonetheless, cats can still be injured or killed by a high fall.[282]
Public attitudes towards feral cats vary widely, ranging from seeing them as free-ranging pets, to regarding them as vermin.[208] One common approach to reducing the feral cat population is termed 'trap-neuter-return', where the cats are trapped, neutered, immunized against diseases such as rabies and the feline Panleukopenia and Leukemia viruses, and then released.[209] Before releasing them back into their feral colonies, the attending veterinarian often nips the tip off one ear to mark it as neutered and inoculated, since these cats may be trapped again. Volunteers continue to feed and give care to these cats throughout their lives. Given this support, their lifespans are increased, and behavior and nuisance problems caused by competition for food are reduced.[206]
Lynne choreographed the original London production with a dance crew consisting of her assistant Lindsay Dolan, the dance captain Jo-Anne Robinson, and cast members Finola Hughes and John Thornton.[81] The resulting choreography blends ballet, modern dance, jazz and tap, interspersed with acrobatic displays.[16] Lynne also trained the cast to evoke the movement, physicality and behaviour of actual cats.[83] These feline traits were incorporated into the movement and choreography so as to create an "anthropomorphic illusion".[16] Lynne considered the 13-minute "Jellicle Ball" dance to be the crux of the show, noting that in order to work as a dance-driven musical, Cats "had to succeed there or die".[81][84] She recalled the difficulty she faced in persuading Lloyd Webber to add the extended dance break, culminating in her and her dance crew having to dance all the parts in the "Jellicle Ball" to convince him.[81][84]
Cats, like dogs, are digitigrades. They walk directly on their toes, with the bones of their feet making up the lower part of the visible leg.[69] Cats are capable of walking very precisely because, like all felines, they directly register; that is, they place each hind paw (almost) directly in the print of the corresponding fore paw, minimizing noise and visible tracks. This also provides sure footing for their hind paws when they navigate rough terrain. Unlike most mammals, when cats walk, they use a "pacing" gait; that is, they move the two legs on one side of the body before the legs on the other side. This trait is shared with camels and giraffes. As a walk speeds up into a trot, a cat's gait changes to be a "diagonal" gait, similar to that of most other mammals (and many other land animals, such as lizards): the diagonally opposite hind and fore legs move simultaneously.[70]