The origin of the English word cat (Old English catt) and its counterparts in other Germanic languages (such as German Katze), descended from Proto-Germanic *kattōn-, is controversial. It was thought traditionally to be a borrowing from Late Latin cattus, 'domestic cat', from catta (used around 75 AD by Martial),[22][23] compare also Byzantine Greek κάττα, Portuguese and Spanish gato, French chat, Maltese qattus, Lithuanian katė, and Old Church Slavonic kotъ (kot'), among others.[24]
The "Growltiger's Last Stand" sequence has been changed multiple times over the course of the show's history. In the original London production, the "last duet" for Growltiger and Griddlebone was a setting for an unpublished Eliot poem, "The Ballad of Billy M'Caw". For the original Broadway production, the Ballad was replaced with "In Una Tepida Notte", a parody of Italian opera.[95] The mock aria was introduced so as to add more slapstick humour and its lyrics are based on the Italian translation of the "Growltiger's Last Stand" poem.[386] This new version was eventually incorporated into all other productions of Cats.[95]
^ Jump up to: a b Cameron-Beaumont, Charlotte; Lowe, Sarah E.; Bradshaw, John W. S. (2002). "Evidence Suggesting Pre-adaptation to Domestication Throughout the Small Felidae" (PDF). Biological Journal of the Linnean Society. 75 (3): 361–366. doi:10.1046/j.1095-8312.2002.00028.x. Archived from the original (PDF) on 9 June 2011. Retrieved 29 September 2009.
Cats conserve heat by reducing the flow of blood to their skin and lose heat by evaporation through their mouths. Cats have minimal ability to sweat, with glands located primarily in their paw pads,[105] and pant for heat relief only at very high temperatures[106] (but may also pant when stressed). A cat's body temperature does not vary throughout the day; this is part of cats' general lack of circadian rhythms and may reflect their tendency to be active both during the day and at night.[107]:1
The original London production received mostly rave reviews, with critics hailing it as a watershed moment in British musical theatre.[295] Michael Billington of The Guardian lauded Cats as "an exhilarating piece of total theatre". Billington praised the show's "strong framework" and the ease in which the poems were integrated. He was also very impressed by Lloyd Webber's fitting compositions, Napier's environmental set, Lynne's effective and at times brilliant choreography, and Nunn's "dazzling staging" that makes use of the entire auditorium.[296] The show received similarly glowing reviews from The Sunday Times' Derek Jewell and The Stage's Peter Hepple. Jewell proclaimed it to be "among the most exhilarating and innovative musicals ever staged",[295] while Hepple declared that with Cats, "the British musical has taken a giant leap forward, surpassing in ingenuity and invention anything Broadway has sent us".[297]
Felines are carnivores and have adapted to animal-based diets and low carbohydrate inclusion. Kittens are categorized in a growth life stage, and have high energy and protein requirements.[23] When feeding a kitten, it is often recommended to use highly digestible ingredients and various components to aid in development in order to produce a healthy adult.[24] In North America, diets certified by the Association of American Feed Control Officials (AAFCO) are accepted as adequate nutrition, thus kitten diets should be AAFCO approved to ensure full supplementation.[25] Key components of the diet are high fat content to meet caloric requirements of growth, high protein to meet requirements for muscle growth as well as supplementation of certain nutrients such as docosahexaenoic acid to benefit the development of the brain and optimization of cognition.[26]
Shortly after the Sydmonton Festival, Lloyd Webber began setting the unpublished poems he had been given to music, a few of which were later added into the show. He also composed the overture and "The Jellicle Ball", incorporating analog synthesizers into these orchestrations to try to create a unique electronic soundscape.[11] Meanwhile, Mackintosh recruited Nunn, the then artistic director of the Royal Shakespeare Company (RSC), to direct Practical Cats. Nunn was an unusual choice as he was considered "too high-brow" for musical theatre,[12] but Mackintosh felt that a "pedigree" director was needed to ensure Valerie Eliot's approval of the project.[13] After much persuasion, Nunn came on board and was joined by his fellow RSC colleagues, choreographer Gillian Lynne and set and costume designer John Napier.[9][14] Nunn initially envisioned Practical Cats as a chamber piece for five actors and two pianos, which he felt would reflect "Eliot's charming, slightly offbeat, mildly satiric view of late-1930's London".[15] However, he relented to Lloyd Webber's more ambitious vision for the musical.[15] Nunn was also convinced that for the musical to have the wide commercial appeal that the producers desired, it could not remain as a series of isolated numbers but instead had to have a narrative through line.[14] He was therefore tasked with piecing the self-contained poems together into a story.[16] Nunn wrote about the significance "Grizabella the Glamour Cat" had on the construction of the narrative:
"It was the custom to burn a basket, barrel, or sack full of live cats, which was hung from a tall mast in the midst of the bonfire; sometimes a fox was burned. The people collected the embers and ashes of the fire and took them home, believing that they brought good luck. The French kings often witnessed these spectacles and even lit the bonfire with their own hands. In 1648 Louis XIV, crowned with a wreath of roses and carrying a bunch of roses in his hand, kindled the fire, danced at it and partook of the banquet afterwards in the town hall. But this was the last occasion when a monarch presided at the midsummer bonfire in Paris. At Metz midsummer fires were lighted with great pomp on the esplanade, and a dozen cats, enclosed in wicker cages, were burned alive in them, to the amusement of the people. Similarly at Gap, in the department of the Hautes-Alpes, cats used to be roasted over the midsummer bonfire."[278]
Domestic cats select food based on its temperature, smell and texture; they dislike chilled foods and respond most strongly to moist foods rich in amino acids, which are similar to meat.[113][133] Cats may reject novel flavors (a response termed neophobia) and learn quickly to avoid foods that have tasted unpleasant in the past.[133] They may also avoid sugary foods and milk. Most adult cats are lactose intolerant; the sugars in milk are not easily digested and may cause soft stools or diarrhea.[133][166] They can also develop odd eating habits. Some cats like to eat or chew on other things, most commonly wool, but also plastic, cables, paper, string, aluminum foil, or even coal. This condition, pica, can threaten their health, depending on the amount and toxicity of the items eaten.[167][168] See also Animal psychopathology § Pica.

You’ve never played a roleplaying game, either? Purr-fect! Magical Kitties includes a lot of tools — including a solo play module so that you can start playing within moments of opening the box! — and guidance for both first-time roleplayers and first-time GMs. Whether you’ve played board games with roleplaying elements like Mice & Mystics or T.I.M.E. Stories, watched actual play videos, or just think roleplaying games sound like a lot of fun and you want to give them a try, Magical Kitties can be your first step into a larger world.
The stage production of Cats has undergone several revisions since its London opening. When the show transferred to Broadway, several cuts and rewrites were made with the intention of appealing more to an American audience.[385] Additionally, a song entitled "Cat Morgan Introduces Himself" was cut during initial development. Lloyd Webber performed this song at the show's 6,138th Broadway performance, when it broke the record to become the longest-running Broadway show.[105]
Dance plays a major role in Cats as the creative team had specifically set out to create "England's first dance musical".[81] Before Cats, the industry-wide belief was that British dancers were inferior to their Broadway counterparts. The risky hiring of a British choreographer, Lynne, for a British dance musical was described by one historian as "a vivid and marvellous gesture of transatlantic defiance".[82] Making Lynne's job more challenging was the fact that the music in Cats is unceasing and the majority of the cast remains onstage throughout nearly the entire show.[82]
^ Rayner, M. J.; Hauber, M. E.; Imber, M. J.; Stamp, R. K.; Clout, M. N. (2007). "Spatial Heterogeneity of Mesopredator Release within an Oceanic Island System". Proceedings of the National Academy of Sciences of the United States of America. 104 (52): 20862–20865. Bibcode:2007PNAS..10420862R. doi:10.1073/pnas.0707414105. PMC 2409232. PMID 18083843.
Cats are amazing creatures because they make us laugh all the time! Watching funny cats is the hardest try not to laugh challenge! Just look how all these cats & kittens play, fail, get along with dogs and other animals, get scared, make funny sounds, get angry,... So ridiculous, funny and cute! What is your favourite clip? :) Hope you like our compilation, please share it and SUBSCRIBE! Watch also our other videos!

Since kitten diets are very high in calories, ingredients must be implemented to ensure adequate digestion and utilization of these calories. Choline chloride is an ingredient that maintains fat metabolism.[42] Biotin and niacin are also active in the metabolism of fats, carbs and protein.[42] Riboflavin is also necessary for the digestion of fats and carbohydrates.[42] These are the main metabolism aids incorporated into kitten diets to ensure nutrient usage is maximized.


Cats premiered in the West End at the New London Theatre on 11 May 1981. The musical was produced by Mackintosh and Lloyd Webber's Really Useful Group, with direction by Nunn, choreography by Lynne (who also served as the associate director), set and costume design by Napier, lighting design by David Hersey, sound design by Abe Jacob and music direction by Harry Rabinowitz.[98] It played a total of 8,949 performances before closing on its 21st anniversary, 11 May 2002. The final performance was broadcast live on a large outdoor screen in Covent Garden for fans who could not acquire a ticket.[99] Cats held the record as London's longest-running musical from 1989, when it surpassed Jesus Christ Superstar,[100] until 8 October 2006, when it was surpassed by Les Misérables.


Many cultures have negative superstitions about cats. An example would be the belief that a black cat "crossing one's path" leads to bad luck, or that cats are witches' familiars used to augment a witch's powers and skills. The killing of cats in Medieval Ypres, Belgium, is commemorated in the innocuous present-day Kattenstoet (cat parade).[276] In medieval France, cats would be burnt alive as a form of entertainment. According to Norman Davies, the assembled people "shrieked with laughter as the animals, howling with pain, were singed, roasted, and finally carbonized".[277]
Clio Yun-su Davis is a game designer and writer who creates larps, tabletop roleplaying games, interactive fiction games, and card games. Their freeform game The Long Drive Back from Busan won the Golden Cobra Challenge award for Best Game That Incorporates Meaningful, Non-Romantic Relationships in 2017, and their game about the future of ancestor worship, The Truth About Eternity, was presented at Fastaval 2019 in Denmark. http://www.cysdavis.com 

Free-fed feral cats and house cats tend to consume many small meals in a single day, although the frequency and size of meals varies between individuals.[133] Cats use two hunting strategies, either stalking prey actively, or waiting in ambush until an animal comes close enough to be captured.[160] Although it is not certain, the strategy used may depend on the prey species in the area, with cats waiting in ambush outside burrows, but tending to actively stalk birds.[161]:153
English-language touring companies have also toured the European region extensively. International tours in the early to late 2000s included stops in Sweden, Norway,[219] Finland,[220] Greece,[188] Portugal,[221] Germany,[222] and Italy.[223] The 2013–2014 UK tour visited cities in Belgium,[214][224] Greece, Italy,[225] Monaco, and Portugal.[153] Most recently, a UK production played in numerous European cities from 2016 to 2019, with tour stops in Switzerland, Croatia, Belgium, Poland, Bulgaria, Germany, Norway, Sweden, Finland, Denmark, Netherlands, and Luxembourg.[226] These European tours have featured several notable performers in the role of Grizabella, including Pernilla Wahlgren (Sweden; 2003),[227] Katarína Hasprová (Slovakia; 2016)[228] and Jenna Lee-James (Netherlands; 2018–2019).[229]
Some of the same factors that have promoted adaptive radiation of island avifauna over evolutionary time appear to promote vulnerability to non-native species in modern time. The susceptibility of many island birds is undoubtedly due to evolution in the absence of mainland predators, competitors, diseases, and parasites, in addition to lower reproductive rates and extended incubation periods.[231] The loss of flight, or reduced flying ability is also characteristic of many island endemics.[232] These biological aspects have increased vulnerability to extinction in the presence of introduced species, such as the domestic cat.[233] Equally, behavioral traits exhibited by island species, such as "predatory naivety"[234] and ground-nesting,[231] have also contributed to their susceptibility.
Cats hunt small prey, primarily birds and rodents,[155] and are often used as a form of pest control.[156][157] Domestic cats are a major predator of wildlife in the United States, killing an estimated 1.4 to 3.7 billion birds and 6.9 to 20.7 billion mammals annually.[158][159] The bulk of predation in the United States is done by 80 million feral and stray cats. Effective measures to reduce this population are elusive, meeting opposition from cat enthusiasts.[158][159] In the case of free-ranging pets, equipping cats with bells and not letting them out at night will reduce wildlife predation.[155]
Lloyd Webber also employs various techniques to help connect the pieces. Namely, the score relies heavily on recurring motifs as well as the use of preludes and reprises.[76] For instance, melodic fragments of "Memory" are sung by Grizabella and Jemima at several points in the show before the song is sung in full,[39] serving to characterize Grizabella and foreshadow her final number.[77][78] Similarly, Lloyd Webber introduces a fugue in the overture, and variations of this theme are then repeated throughout the musical until it is finally resolved as Grizabella ascends to the Heaviside Layer.[79]

Then, as Rum Tum Tugger's song fades, a shabby old grey cat stumbles out wanting to be reconciled; it is Grizabella. All the cats back away from her in fear and disgust and explain her unfortunate state ("Grizabella: The Glamour Cat"). Grizabella leaves and the music changes to a cheerful upbeat number as Bustopher Jones, a fat cat in "a coat of fastidious black", is brought to the stage ("Bustopher Jones: The Cat About Town"). Bustopher Jones is among the elite of the cats, and visits prestigious gentlemen's clubs. Suddenly, a loud crash startles the tribe and the cats run offstage in fright. Hushed giggling sounds signal the entrance of Mungojerrie and Rumpleteazer, a pair of near-identical cats. They are mischievous petty burglars who enjoy causing trouble around their human neighbourhood ("Mungojerrie and Rumpleteazer"). After they finish, they are caught off-guard and confronted by the rest of the cats.
The original Viennese cast included Ute Lemper who played Bombalurina, Steve Barton who played Munkustrap, and Robert Montano who played Pouncival.[112] Pia Douwes was also a member of the cast from 1987 to 1989, covering several different characters including Grizabella.[175] The Vienna production also performed limited runs at the Komische Oper Berlin in East Germany in 1987,[176] and at the Moscow Operetta Theatre in the Soviet Union in 1988.[177]
Influenced by the show's success in Vienna, a German production by Stella Entertainment premiered in April 1986 at the newly-renovated Operettenhaus in Hamburg.[173][179] It closed in January 2001 after 15 years, having played over 6,100 performances to 6.2 million audiences.[179][180] Cats was the first stage production in the country to be mounted without any public funding and was also the first to run for multiple years; its success established the medium as a profitable venture in Germany.[180] The musical was also a huge boost for tourism in Hamburg, particularly the subdivision of St. Pauli where it accounted for 30% of all tourists. The number of overnight visitors to the city increased by over one million per year within the first five years of the show's premiere.[179]
A combination of required nutrients is used to satisfy the overall growth and development of the kitten body, there are many ingredients that kittens do not require, but are included in diet formulation to encourage healthy growth and development. These ingredients include: dried egg as source of high quality protein and fatty acids, flaxseed as source of flaxseed oil which is rich in omega 3 fatty acid and aids in digestion, calcium carbonate as a source of calcium, and calcium pantothenate (vitamin B5) acts as a coenzyme in the conversion of amino acids and is important for healthy skin.[42]
Napier began designing the set in November 1980, wanting "a place where cats might congregate together, which also included maximum room for dancing".[93] The set of Cats consists of a junkyard filled with oversized props to give the illusion that the cast are the size of actual cats;[94] it remains the same throughout the show without any scene changes. Over 2,500 of these scaled-up props were used to fill the whole auditorium in the original Broadway production.[16][95]

In the 1980s, the success of local productions of Cats in Tokyo,[161] Sydney,[330] Vienna, Hamburg,[173] and Toronto were turning points that established these cities (and their respective countries) as major commercial markets in the global theatrical circuit.[331] The musical was also a boon for the Broadway touring industry. In 1997, The New York Times credited the regional and touring productions of Cats with "almost single-handedly reviv[ing] the sagging road business".[332] Cats revolutionised the touring business by introducing the now commonplace practice of extended touring engagements that can last several weeks or months in a single city, as opposed to the typical one-week or ten-day tour stop. Mackintosh's insistence that all touring productions of Cats replicate the Broadway production also resulted in the expansion and upgrading of regional theatre venues to accommodate the musical's demanding logistical requirements, as local theatre owners did not want to miss out on the opportunity to host the lucrative show.[333]
Just kitten around Third baseman Eduardo Escobar is not a cat person, and teammates David Peralta, Wilmer Flores and Ildemaro Vargas love that about him. — Jenna Ortiz, azcentral, "Diamondbacks starter Luke Weaver's latest MRI reveals good news," 24 June 2019 Kitten in car wheel: Iverson St., 2500 block, Temple Hills, June 3. — Jillian S. Jarrett, Washington Post, "Prince George’s County Animal Watch," 20 June 2017 Things start cooking when Keanu disappears, forcing Rell and Clarence to play detective while chasing leads and kitten tail. — Manohla Dargis, New York Times, "With ‘Keanu,’ Key & Peele Break Into Feature Films — Kittens in Tow APRIL 20, 2016," 28 Apr. 2016
Lynne choreographed the original London production with a dance crew consisting of her assistant Lindsay Dolan, the dance captain Jo-Anne Robinson, and cast members Finola Hughes and John Thornton.[81] The resulting choreography blends ballet, modern dance, jazz and tap, interspersed with acrobatic displays.[16] Lynne also trained the cast to evoke the movement, physicality and behaviour of actual cats.[83] These feline traits were incorporated into the movement and choreography so as to create an "anthropomorphic illusion".[16] Lynne considered the 13-minute "Jellicle Ball" dance to be the crux of the show, noting that in order to work as a dance-driven musical, Cats "had to succeed there or die".[81][84] She recalled the difficulty she faced in persuading Lloyd Webber to add the extended dance break, culminating in her and her dance crew having to dance all the parts in the "Jellicle Ball" to convince him.[81][84]

For the first several weeks, kittens cannot urinate or defecate without being stimulated by their mother.[6] They also cannot regulate their body temperature for the first three weeks, so kittens born in temperatures less than 27 °C (81 °F) can die from hypothermia if their mother does not keep them warm.[7] The mother's milk is very important for the kittens' nutrition and proper growth. This milk transfers antibodies to the kittens, which helps protect them against infectious disease.[8] Newborn kittens are unable to produce concentrated urine, and so have a very high requirement for fluids.[9] Kittens open their eyes about seven to ten days after birth. At first, the retina is poorly developed and vision is poor. Kittens cannot see as well as adult cats until about ten weeks after birth.[10]


By 2012, the royalty payments from Cats to the Eliot estate had totaled an estimated $100 million.[294] Valerie Eliot used a portion of this money to establish the literary charity Old Possum's Practical Trust, and to set up the T. S. Eliot Prize which has since become "the most coveted award in poetry".[337][338] Cats also turned things around for the independent British publishing house Faber and Faber. As the publisher of Old Possum's Book of Practical Cats, royalties of up to £1 million annually[316] kept the then-struggling Faber afloat during the 1980s.[339] Moreover, the musical led to a surge in the sales of Eliot's book.[1] The success of Cats led Faber to turn another of their literary properties, Ted Hughes' The Iron Man, into a 1989 musical of the same name.[340]
The first contender Munkustrap introduces is Jennyanydots ("The Old Gumbie Cat"), a large tabby cat who lazes around all day, but come nighttime, she becomes active, teaching mice and cockroaches various activities to curb their naturally destructive habits. Just as Jennyanydots finishes her song, the music changes suddenly and Rum Tum Tugger makes his extravagant entrance in front of the tribe ("The Rum Tum Tugger"). He is very fickle and unappeasable, "for he will do as he do do, and there's no doing anything about it".
You receive (1) one copy of the Deluxe Edition of Magical Kitties Save the Day, including Power Cards, custom dice, wooden tokens, Magical Kitties & The Alien Invasion, and all of the stretch goals unlocked during the campaign. (See Backer Level chart on the campaign page for specific content.) If you will want your rewards shipped to an address in Canada, please select this reward.
Cats are ready to go to new homes at about 12 weeks of age, when they are ready to leave their mother.[184] They can be surgically sterilized (spayed or castrated) as early as 7 weeks to limit unwanted reproduction.[185] This surgery also prevents undesirable sex-related behavior, such as aggression, territory marking (spraying urine) in males and yowling (calling) in females. Traditionally, this surgery was performed at around six to nine months of age, but it is increasingly being performed before puberty, at about three to six months.[186] In the US, about 80% of household cats are neutered.[187]
There have been numerous notable performers in the Japanese production, including Shintarō Sonooka as Munkustrap (original 1983 cast),[170] Kanji Ishimaru as Skimbleshanks (1992),[171] Masachika Ichimura, and Mayo Kawasaki.[172] Yoshiko Hattori (ja:服部良子) holds the production's record for the longest-appearing cast member; she played Jennyanydots in the original 1983 cast and remained in the role for 20 years with a final performance tally of 4,251.[172]
Cats debuted on Broadway on 7 October 1982 at the Winter Garden Theatre with a record-breaking $6.2 million in ticket pre-sales.[27] Most of the original creative team remained, with Martin Levan replacing Jacob as the sound designer and Stanley Lebowsky replacing Rabinowitz as music director. The musical was co-produced by the original London production team, along with David Geffen and The Shubert Organization.[103] It was the most expensive Broadway show ever mounted at the time with a production cost of $5.5 million,[104] though it recouped its investment in less than 10 months.[100] On 19 June 1997, Cats overtook A Chorus Line to become the longest-running show in Broadway history with 6,138 performances.[105] At the time, the musical was found to have had an economic impact of $3.12 billion on New York City and had generated the most theatrical jobs of any single entity in Broadway history.[95] A June closing date was announced in early 2000 but was subsequently pushed back after a resulting surge in ticket sales.[106] The show closed on 10 September 2000 after a total of 13 previews and 7,485 performances.[103] One actress, Marlene Danielle, performed in the Broadway production for its entire 18-year run.[72] Its Broadway-run record was surpassed on 9 January 2006 by The Phantom of the Opera, and Cats remains Broadway's fourth-longest-running show of all time. Overall, the original Broadway production grossed approximately $388 million in ticket sales.[107]
Steven Spielberg's Amblimation had planned an animated adaptation of the musical in the 1990s. The film was to be set in war-torn London during World War II, but the project was abandoned with the studio's closure in 1997.[290] The following year, a direct-to-video film was released. The film was directed by David Mallet and was shot at the Adelphi Theatre in London. It starred Elaine Paige as Grizabella, John Mills as Gus, Ken Page as Old Deuteronomy, and Michael Gruber as Munkustrap.[291]
Though it’s not something you have any control over, your kitten’s age is more than just a number. In fact, it’s crucial that you learn it. Kittens have very specific developmental needs for the first 10 weeks of their lives in terms of nourishment, warmth, socialization, and excretion. For this reason, most breeders and shelters typically wait until their kittens are of age before they’re put up for adoption. If you, by chance, find yourself in a situation where you need to care for an orphaned kitten under 10 weeks old, consult your vet for special instructions.
Meanwhile, Mackintosh engaged the advertising agency Dewynters to design a poster for the musical. After much back-and-forth, the agency presented a minimalist poster consisting of a pair of yellow feline eyes (with dancing silhouettes for the pupils) set against a black backdrop. The producers and the creative team loved the design but felt that the title — Practical Cats — looked out of place when paired with the image of the cat's eyes. The musical's title was thus shortened to just Cats.[19]
Before you bring your kitten home, it’s best to designate a quiet area where the kitten can feel comfortable and safe. In this base camp, you’ll need to put a few essentials like food and water dishes, a litterbox (preferably one with low sides), and some comfortable bedding. Tip: Remember, cats don’t like their food and litterbox too close together. So place the food dishes as far away from the litter as possible within the space.
English-language touring companies have also toured the European region extensively. International tours in the early to late 2000s included stops in Sweden, Norway,[219] Finland,[220] Greece,[188] Portugal,[221] Germany,[222] and Italy.[223] The 2013–2014 UK tour visited cities in Belgium,[214][224] Greece, Italy,[225] Monaco, and Portugal.[153] Most recently, a UK production played in numerous European cities from 2016 to 2019, with tour stops in Switzerland, Croatia, Belgium, Poland, Bulgaria, Germany, Norway, Sweden, Finland, Denmark, Netherlands, and Luxembourg.[226] These European tours have featured several notable performers in the role of Grizabella, including Pernilla Wahlgren (Sweden; 2003),[227] Katarína Hasprová (Slovakia; 2016)[228] and Jenna Lee-James (Netherlands; 2018–2019).[229]
Additionally, Cats was the first Broadway and West End show to capitalise on merchandising as a major revenue stream. Stalls were set up in the theatre lobbies to sell souvenirs ranging from toys and watches to coffee mugs, all of which were emblazoned with the cat's-eyes logo. The official Cats t-shirt became the second-best-selling t-shirt in the world in the 1980s, second only to the Hard Rock Cafe t-shirt. Merchandising has since become an important source of income for the industry.[313][323]

In the original London production, Mungojerrie and Rumpleteazer were characters in their own right and sang their eponymous song themselves as a singsong-style duet. When the show transferred to Broadway, the song was instead sung in the third-person, with Mungojerrie and Rumpleteazer as puppets being magically controlled by Mr. Mistoffelees. Their number was also rewritten to be faster and more upbeat, alternating between vaudeville-style verses and a "manic patter" section. Eventually, the Broadway version of the song was rewritten to allow Mungojerrie and Rumpleteazer to once again sing their own song as full characters.[388]
Serious damage is rare, as the fights are usually short in duration, with the loser running away with little more than a few scratches to the face and ears. However, fights for mating rights are typically more severe and injuries may include deep puncture wounds and lacerations. Normally, serious injuries from fighting are limited to infections of scratches and bites, though these can occasionally kill cats if untreated. In addition, bites are probably the main route of transmission of feline immunodeficiency virus.[153] Sexually active males are usually involved in many fights during their lives, and often have decidedly battered faces with obvious scars and cuts to their ears and nose.[154]
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