A few attempts to build a cat census have been made over the years, both through associations or national and international organizations (such as the Canadian Federation of Humane Societies's one[245]) and over the Internet,[246][247] but such a task does not seem simple to achieve. General estimates for the global population of domestic cats range widely from anywhere between 200 million to 600 million.[248][249][250][251][252][253]

Cats premiered in the West End at the New London Theatre on 11 May 1981. The musical was produced by Mackintosh and Lloyd Webber's Really Useful Group, with direction by Nunn, choreography by Lynne (who also served as the associate director), set and costume design by Napier, lighting design by David Hersey, sound design by Abe Jacob and music direction by Harry Rabinowitz.[98] It played a total of 8,949 performances before closing on its 21st anniversary, 11 May 2002. The final performance was broadcast live on a large outdoor screen in Covent Garden for fans who could not acquire a ticket.[99] Cats held the record as London's longest-running musical from 1989, when it surpassed Jesus Christ Superstar,[100] until 8 October 2006, when it was surpassed by Les Misérables.


The musical's fantasy setting and disregard for verisimilitude allowed for groundbreaking experimentations in lighting and audio technology. The original London and Broadway productions featured David Hersey's pioneering use of automated lighting to produce kaleidoscopic landscapes and complicated optical effects. Hersey also used light in an "architectural manner", with fast-changing configurations to spotlight different performers in rapid succession. This dynamic shifting of the audience's perspective created an effect similar to that of fast cutting in film editing.[16] The original London production of Cats was also the first known instance in which an entire cast was individually outfitted with radio microphones.[327] The departure from shared ambient microphones meant that the show did not have to depend on the acoustics and architectural design of the theatrical venue, and enabled the sound designer to achieve cinematic levels of sound amplification and studio-quality audio in live theatre.[328] This practice transformed sound design and has since become the norm in live theatre.[327]

Steven Spielberg's Amblimation had planned an animated adaptation of the musical in the 1990s. The film was to be set in war-torn London during World War II, but the project was abandoned with the studio's closure in 1997.[290] The following year, a direct-to-video film was released. The film was directed by David Mallet and was shot at the Adelphi Theatre in London. It starred Elaine Paige as Grizabella, John Mills as Gus, Ken Page as Old Deuteronomy, and Michael Gruber as Munkustrap.[291]
Despite moderate hits with Jesus Christ Superstar and Evita, Lloyd Webber was still relatively unknown to the general public before Cats, especially in the US. With Cats, he became a big celebrity in his own right.[318] The musical also established the theatrical careers of the original creative and production team. Following Cats, they collaborated on other global blockbusters including Starlight Express (composed by Lloyd Webber, directed by Nunn and designed by Napier), Les Misérables (directed by Nunn, designed by Napier and produced by Mackintosh), and The Phantom of the Opera (composed by Lloyd Webber, choreographed by Lynne and produced by Mackintosh).[1][335]
Stage parodies of the musical have also been mounted in the West End and Off-Broadway. CAT – (THE PLAY!!!), a one-man show written by Jamie Beamish and Richard Hardwick, is a dark comedy about the fictitious life of Dave, a cat who was fired from the original London production of Cats on opening night. Starring Gerard McCarthy as Dave and with choreography by Arlene Phillips, the musical premiered at the 2014 Edinburgh Fringe Festival;[346] it performed at various regional venues before making its West End debut at the Ambassadors Theatre in April 2017.[347] Katdashians! Break the Musical!, a parody mashup of Keeping Up with the Kardashians and Cats by Bob and Tobly McSmith, premiered Off-Broadway at the Elektra Theatre in June 2016.[348] All the song parodies of Cats were later removed after accusations of copyright infringement from Lloyd Webber's representatives, who claimed the songs were being used "to parody another subject matter entirely".[349] Other stage shows that satirise Cats include Six Degrees of Separation,[344] Angels in America,[293] and The Musical of Musicals (The Musical!).[350]
"Memory" is the standout hit song from Cats. By 2002, the song had been played over two million times on radio and television stations in the US.[99] It was the most requested song at piano bars and lounges in the 1980s, and was an equally popular choice at weddings, concerts and other gatherings. As of 2006, the song had been recorded around 600 times by artists such as Barbra Streisand, Barry Manilow, Judy Collins, and Johnny Mathis, in covers ranging from easy listening to techno.[334] According to Sternfeld, it is "by some estimations the most successful song ever from a musical."[318]
Meet our newest fosters from The Kitten House Rescue Adoption Center Can you believe that they are all girls❣️ We bottle fed them for 2 weeks. Thankfully they a...re now on soft food. These precious little angels are still in kitten quarantine. They have made they way our of our jacuzzi tub and now occupy the master bathroom. Let the fun begin! 😹Fostering Saves Lives, we knead you😽
English-language touring companies have also toured the European region extensively. International tours in the early to late 2000s included stops in Sweden, Norway,[219] Finland,[220] Greece,[188] Portugal,[221] Germany,[222] and Italy.[223] The 2013–2014 UK tour visited cities in Belgium,[214][224] Greece, Italy,[225] Monaco, and Portugal.[153] Most recently, a UK production played in numerous European cities from 2016 to 2019, with tour stops in Switzerland, Croatia, Belgium, Poland, Bulgaria, Germany, Norway, Sweden, Finland, Denmark, Netherlands, and Luxembourg.[226] These European tours have featured several notable performers in the role of Grizabella, including Pernilla Wahlgren (Sweden; 2003),[227] Katarína Hasprová (Slovakia; 2016)[228] and Jenna Lee-James (Netherlands; 2018–2019).[229]
Beyond the megamusical, Cats also led the Broadway trend for musicals aimed at families and tourists, which would later take the form of the Disney Theatrical Productions and jukebox musicals.[315][324] The marketing campaigns for the musical targeted family audiences at a time when this demographic was not a consideration in the industry.[324] Composer Joe Raposo said of family musicals in 1986: "Cats is a wonderful proof of what an audience is out there, untapped. People do want a theatrical experience for their children."[325] Thanks to its easily accessible spectacle, the original Broadway production also tapped into the then-burgeoning tourist boom in New York and its audience shifted increasingly towards foreign visitors in its later years.[321][314] Billington also specifically traces the rise of the jukebox musical genre back to Cats, citing the latter's disregard for dramatic text in favour of an all-encompassing theatrical experience.[326]

The first UK and Ireland tour opened in May 1989 at the Opera House Theatre in Blackpool. The cast for this tour included Marti Webb as Grizabella, Rosemarie Ford as Bombalurina and John Partridge as Alonzo.[120] Following a six-month engagement in Blackpool that broke the theatre's box office record and was seen by around 450,000 people,[142] the production moved to the Edinburgh Playhouse for three months, before closing in May 1990 after another two months at the Point Theatre in Dublin.[120] A second national tour launched in June 1993 at the Bristol Hippodrome,[143] featuring Rosemarie Ford as Grizabella, Robin Cousins as Munkustrap, Simon Rice as Mistoffelees and Tony Monopoly as Old Deuteronomy.[144] The tour closed at the Manchester Opera House in December 1995.[145]


Practical Cats, as the show was then called, was first presented as a song cycle at the 1980 summer Sydmonton Festival. The concert was performed by Gemma Craven, Gary Bond and Paul Nicholas. Eliot's widow and literary executor, Valerie, was in attendance and brought along various unpublished cat-themed poems by Eliot. One of these was "Grizabella the Glamour Cat" which, although rejected from Eliot's book for being "too sad for children", gave Lloyd Webber the idea for a full-blown musical.[10] He explained:
The development of Cats was also plagued by financial troubles. Mackintosh struggled to raise the £450,000 ($1.16 million[27]) needed to stage the musical in the West End as major investors were sceptical of the show's premise and refused to back it. Lloyd Webber personally underwrote the musical and took out a second mortgage on his house for the down payment of the theatre. He later recalled that if Cats had been a commercial failure, it would have left him in financial ruin.[28] The remaining capital was eventually financed by small investments procured from 220 individuals through newspaper advertisements.[1][12] After the musical became a massive hit, the rate of return for these investors was estimated to have exceeded 3,500%.[29]
^ Rayner, M. J.; Hauber, M. E.; Imber, M. J.; Stamp, R. K.; Clout, M. N. (2007). "Spatial Heterogeneity of Mesopredator Release within an Oceanic Island System". Proceedings of the National Academy of Sciences of the United States of America. 104 (52): 20862–20865. Bibcode:2007PNAS..10420862R. doi:10.1073/pnas.0707414105. PMC 2409232. PMID 18083843.
Vitamin A is required in kitten diets because cats cannot convert carotenes to retinol in the intestinal mucosa because they lack the enzyme so this vitamin must be supplement in the diet.[24][42] Vitamin E is another required vitamin in kitten diets seeing as deficiency leads to steatitis, causing the depot fat to become firm and yellow-orange in colour, which is painful and leads to death.[42] Also, vitamin D is an essential vitamin because cats cannot convert it from precursors in the skin.[24]

We recognize the expense many international backers need to pay in order to receive games from overseas. Digital versions of the game are an option you may want to consider. Atlas Games’ position as a long-established publisher of games also makes it very likely that your local game store will be able to carry copies of the Standard Edition of the game after its release. 
English-language touring companies have also toured the European region extensively. International tours in the early to late 2000s included stops in Sweden, Norway,[219] Finland,[220] Greece,[188] Portugal,[221] Germany,[222] and Italy.[223] The 2013–2014 UK tour visited cities in Belgium,[214][224] Greece, Italy,[225] Monaco, and Portugal.[153] Most recently, a UK production played in numerous European cities from 2016 to 2019, with tour stops in Switzerland, Croatia, Belgium, Poland, Bulgaria, Germany, Norway, Sweden, Finland, Denmark, Netherlands, and Luxembourg.[226] These European tours have featured several notable performers in the role of Grizabella, including Pernilla Wahlgren (Sweden; 2003),[227] Katarína Hasprová (Slovakia; 2016)[228] and Jenna Lee-James (Netherlands; 2018–2019).[229]
^ Jump up to: a b Driscoll, C. A.; Menotti-Raymond, M.; Roca, A. L.; Hupe, K.; Johnson, W. E.; Geffen, E.; Harley, E. H.; Delibes, M.; Pontier, D.; Kitchener, A. C.; Yamaguchi, N.; O'Brien, S. J.; Macdonald, D. W. (2007). "The Near Eastern Origin of Cat Domestication". Science. 317 (5837): 519–523. Bibcode:2007Sci...317..519D. doi:10.1126/science.1139518. ISSN 0036-8075. PMC 5612713. PMID 17600185.

November 1985 saw the premiere of a Norwegian-language production at Det Norske Teatret in Oslo. It closed in January 1987 and included performers such as Øivind Blunck, Brit Elisabeth Haagensli and Øystein Wiik.[118][193] Jorma Uotinen directed and choreographed a Finnish production at the Helsinki City Theatre that ran for over two years from September 1986 to December 1988, and featured Monica Aspelund as Grizabella, Heikki Kinnunen as Gus, and Kristiina Elstelä as Jennyanydots/Griddlebone.[194] A Swedish version of the musical opened in 1987 at the Chinateatern in Stockholm. The production was seen by 326,000 audiences before it transferred to the Scandinavium in Gothenburg two years later.[195]
Steven Spielberg's Amblimation had planned an animated adaptation of the musical in the 1990s. The film was to be set in war-torn London during World War II, but the project was abandoned with the studio's closure in 1997.[290] The following year, a direct-to-video film was released. The film was directed by David Mallet and was shot at the Adelphi Theatre in London. It starred Elaine Paige as Grizabella, John Mills as Gus, Ken Page as Old Deuteronomy, and Michael Gruber as Munkustrap.[291]

Vitamin D3 is a dietary requirement for cats as they lack the ability to synthesize vitamin D3 from sunlight.[123] Cats obtain high levels of the enzyme 7-dehydrocholestrol delta 7 reductase which causes immediate conversion of vitamin D3 from sunlight to 7-dehydrocholesterol.[124] This fat soluble vitamin is required in cats for bone formation through the promotion of calcium retention, along with nerve and muscle control through absorption of calcium and phosphorus.[124]
Napier also designed the costumes, combining cat and human features based on "hints" given in Eliot's poems, while ensuring that they did not impede the dancers' movements.[93] The costumes generally consist of a unitard, a wig that is fashioned to suggest the presence of feline ears, patches resembling body fur, and arm and leg warmers to give the performers' hands and feet a more paw-like appearance. As with the contrasting music and dance styles, the costumes and make-up are used to bring out each character's distinct personality. For example, the costume for the flirtatious Bombalurina is designed to accentuate her sexiness, while the markings on the costume for Jemima — the youngest of the tribe — resemble crayon scribbles.[24] Every character's design motif is custom-painted by hand onto a plain unitard to line up with their performer's individual body. In order to reproduce the "hand-drawn aesthetic" of Napier's original design sketches, costume painters in the original Broadway production used squeeze bottles to apply the paint. Due to the amount of dancing in Cats, most of the costume did not last longer than a few months.[96]

Domestic kittens are commonly sent to new homes at six to eight weeks of age, but it has been suggested that being with their mother and litter-mates from six to twelve weeks is important for a kitten's social and behavioural development.[16] Usually, breeders and foster/rescue homes will not sell or adopt out a kitten that is younger than twelve weeks. In many jurisdictions, it is illegal to give away kittens younger than eight weeks of age.[18] Kittens generally reach sexual maturity at around seven months old. A cat reaches full "adulthood" around one year of age.[19]
The musical returned to the West End in 2014 for a planned 12-week limited run at the London Palladium. Beginning on 6 December, the revival starred Nicole Scherzinger as Grizabella, and featured the original creative team, with direction from Nunn, choreography by Lynne and design by Napier.[62] Lloyd Webber was also involved and rewrote "The Rum Tum Tugger" and "Growltiger's Last Stand" for the revival.[101] The run was later extended through April 2015 and an additional 100,000 tickets were released, with Kerry Ellis replacing Scherzinger as Grizabella.[68] The musical returned once again to the London Palladium for another limited run lasting from 23 October 2015 to 2 January 2016, starring Beverley Knight as Grizabella.[102]
Owing to the close similarity between play and hunting, cats prefer to play with objects that resemble prey, such as small furry toys that move rapidly, but rapidly lose interest (they become habituated) in a toy they have played with before.[174] Cats also tend to play with toys more when they are hungry.[175] String is often used as a toy, but if it is eaten, it can become caught at the base of the cat's tongue and then move into the intestines, a medical emergency which can cause serious illness, even death.[176] Owing to the risks posed by cats eating string, it is sometimes replaced with a laser pointer's dot, which cats may chase.[177]

Cats are obligate carnivores: their physiology has evolved to efficiently process meat, and they have difficulty digesting plant matter.[103] In contrast to omnivores such as rats, which only require about 4% protein in their diet, about 20% of a cat's diet must be protein.[103] A cat's gastrointestinal tract is adapted to meat eating, being much shorter than that of omnivores and having low levels of several of the digestive enzymes needed to digest carbohydrates.[111] These traits severely limit the cat's ability to digest and use plant-derived nutrients, as well as certain fatty acids.[111] Despite the cat's meat-oriented physiology, several vegetarian or vegan cat foods have been marketed that are supplemented with chemically synthesized taurine and other nutrients, in attempts to produce a complete diet. Some of these products still fail to provide all the nutrients cats require,[112] and diets containing no animal products pose the risk of causing severe nutritional deficiencies.[113]

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