Some of the same factors that have promoted adaptive radiation of island avifauna over evolutionary time appear to promote vulnerability to non-native species in modern time. The susceptibility of many island birds is undoubtedly due to evolution in the absence of mainland predators, competitors, diseases, and parasites, in addition to lower reproductive rates and extended incubation periods. The loss of flight, or reduced flying ability is also characteristic of many island endemics. These biological aspects have increased vulnerability to extinction in the presence of introduced species, such as the domestic cat. Equally, behavioral traits exhibited by island species, such as "predatory naivety" and ground-nesting, have also contributed to their susceptibility.
Reactions to the original Broadway production were mixed. In his review for The New York Times, Frank Rich noted that the main draw of the show was that it "transports the audience into a complete fantasy world that could only exist in the theater". He attributed much of this "wondrous spectacle" to Nunn's direction, Napier's set and costume designs, as well as the talented cast. Rich found many of Lloyd Webber's songs to be "cleverly and appropriately" pastiche, and was impressed with how Lynne and Nunn distinguished each character through personalised movement. However, he panned Lynne's choreography and felt that the musical failed in its vague attempt to tell a story. Overall, he wished that the show had more "feeling to go with its most inventive stagecraft." Clive Barnes of the New York Post concluded his review saying: "Its importance lies in its wholeheartedness. It is a statement of musical theater that cannot be ignored, should prove controversial and will never be forgotten."
^ Jump up to: a b Oliveira, R.; Godinho, R.; Randi, E.; Alves, P. C. (2008). "Hybridization Versus Conservation: Are Domestic Cats Threatening the Genetic Integrity of Wildcats (Felis silvestris silvestris) in Iberian Peninsula?". Philosophical Transactions of the Royal Society of London. Series B, Biological Sciences. 363 (1505): 2953–2961. doi:10.1098/rstb.2008.0052. PMC 2606743. PMID 18522917.
Meanwhile, the Carré Theatre in Amsterdam, Netherlands, staged the musical in 1987 (with Ruth Jacott as Grizabella), 1988 and from 1992 to 1993. Cats made its French debut at the Théâtre de Paris from February 1989 to April 1990, with an original cast that included Gilles Ramade as Old Deuteronomy. The show was also produced in Zürich at the ABB Musical Theatre from 1991 to 1993, while a production by Joop van den Ende and the Royal Ballet of Flanders was staged at the Stadsschouwburg Antwerpen in Belgium in 1996. An English/German-language "Eurotour" production also toured the region from May 1994 to December 1995.
Cats debuted on Broadway on 7 October 1982 at the Winter Garden Theatre with a record-breaking $6.2 million in ticket pre-sales. Most of the original creative team remained, with Martin Levan replacing Jacob as the sound designer and Stanley Lebowsky replacing Rabinowitz as music director. The musical was co-produced by the original London production team, along with David Geffen and The Shubert Organization. It was the most expensive Broadway show ever mounted at the time with a production cost of $5.5 million, though it recouped its investment in less than 10 months. On 19 June 1997, Cats overtook A Chorus Line to become the longest-running show in Broadway history with 6,138 performances. At the time, the musical was found to have had an economic impact of $3.12 billion on New York City and had generated the most theatrical jobs of any single entity in Broadway history. A June closing date was announced in early 2000 but was subsequently pushed back after a resulting surge in ticket sales. The show closed on 10 September 2000 after a total of 13 previews and 7,485 performances. One actress, Marlene Danielle, performed in the Broadway production for its entire 18-year run. Its Broadway-run record was surpassed on 9 January 2006 by The Phantom of the Opera, and Cats remains Broadway's fourth-longest-running show of all time. Overall, the original Broadway production grossed approximately $388 million in ticket sales.
Kittens are so cute, it’s understandable that cat owners sometimes wish their kittens could stay kittens forever. This is the when you, as the pet parent, lay the foundation for your cat’s future health and behavior. Not to mention, it’s the stage where you have to decide what food to buy, what vet to visit, and where to place the litterbox. Fortunately, all of your hard work during these first few months is compensated by loads of snuggling and adorability.
Fully domestic Abyssinian American Curl American Shorthair Balinese Brazilian Shorthair British Shorthair Birman Bombay Burmese Burmilla California Spangled Chartreux Chinese Li Hua Colorpoint Shorthair Cornish Rex Cymric Devon Rex Donskoy Egyptian Mau European Shorthair Exotic Shorthair German Rex Himalayan Japanese Bobtail Javanese Khao Manee Korat Kurilian Bobtail Lykoi Maine Coon Manx Munchkin Norwegian Forest Ocicat Ojos Azules Oriental Shorthair Persian Peterbald Pixie-bob Raas Ragdoll Ragamuffin Russian Blue Scottish Fold Selkirk Rex Siamese Siberian Singapura Snowshoe Somali Sphynx Thai Traditional Persian Tonkinese Toyger Turkish Angora Turkish Van
Practical Cats, as the show was then called, was first presented as a song cycle at the 1980 summer Sydmonton Festival. The concert was performed by Gemma Craven, Gary Bond and Paul Nicholas. Eliot's widow and literary executor, Valerie, was in attendance and brought along various unpublished cat-themed poems by Eliot. One of these was "Grizabella the Glamour Cat" which, although rejected from Eliot's book for being "too sad for children", gave Lloyd Webber the idea for a full-blown musical. He explained:
^ Jump up to: a b Driscoll, C. A.; Macdonald, D. W.; O'Brien, S. J. (2009). "In the Light of Evolution III: Two Centuries of Darwin Sackler Colloquium: From Wild Animals to Domestic Pets – An Evolutionary View of Domestication". Proceedings of the National Academy of Sciences of the United States of America. 106 (S1): 9971–9978. Bibcode:2009PNAS..106.9971D. doi:10.1073/pnas.0901586106. PMC 2702791. PMID 19528637.
Garth Graham was classically trained as an Industrial Designer, but he started his first webcomic back in college. Since then, he’s become an established freelance comic artist, foregoing all that higher education to tell stories with pictures. It’s kinda awesome. Mostly these days he draws StarPower, a super powered space adventure. You can visit him online at www.gcgstudios.com.
After the Jellicle Ball, Old Deuteronomy contemplates "what happiness is", referring to Grizabella. However, the cats do not understand him, so he has Jemima (or Sillabub, depending on the production), the youngest of all Jellicles, sing it in simpler terms ("The Moments of Happiness"). Gus – short for Asparagus – shuffles forward as the next cat to be introduced ("Gus: The Theatre Cat"). He was once a famous actor but is now old and "suffers from palsy which makes his paws shake". He is accompanied by Jellylorum, his caretaker, who tells of his exploits. Gus then remembers how he once played the infamous pirate captain, Growltiger a.k.a. the Terror of the Thames ("Growltiger's Last Stand"). Gus tells the story about the pirate captain's romance with Lady Griddlebone, and how Growltiger was overtaken by the Siamese and forced to walk the plank to his death.
Domestic kittens are commonly sent to new homes at six to eight weeks of age, but it has been suggested that being with their mother and litter-mates from six to twelve weeks is important for a kitten's social and behavioural development. Usually, breeders and foster/rescue homes will not sell or adopt out a kitten that is younger than twelve weeks. In many jurisdictions, it is illegal to give away kittens younger than eight weeks of age. Kittens generally reach sexual maturity at around seven months old. A cat reaches full "adulthood" around one year of age.
An alternative word is English puss (extended as pussy and pussycat). Attested only from the 16th century, it may have been introduced from Dutch poes or from Low German puuskatte, related to Swedish kattepus, or Norwegian pus, pusekatt. Similar forms exist in Lithuanian puižė and Irish puisín or puiscín. The etymology of this word is unknown, but it may have simply arisen from a sound used to attract a cat.