You’ll get five (5) copies of the Deluxe Edition of Magical Kitties Save the Day, the benefits of the Make Your Kitty Magical backer level, and Atlas RPG Producer Justin Alexander will run a session of Magical Kitties Save the Day for you and up to four of your friends. If arrangements can be made to do this in person (in Minneapolis/St. Paul, Duluth, or at a convention we’re attending), we will do so. If not, the game will be run via video chat. (Scheduling subject to Atlas Games’ approval.)
Feral cats can live in forests, grasslands, tundra, coastal areas, agricultural land, scrublands, urban areas, and wetlands. Their habitats include small islands with no human inhabitants. The close relatives of the domestic cat, the African wildcat (Felis lybica) and the sand cat (F. margarita) both inhabit desert environments. Domestic cats still show similar adaptations and behaviors.
One of the first things you should do with your new cat, if not the very first, is take him in for an exam. This trip is almost as important for the owner as it is the kitten, because it not only tests for health issues like birth defects, parasites, and feline leukemia, but it allows you to ask those all important questions including advice on litterbox training your kitten.
Meanwhile, the first Canadian national production premiered in March 1985 at the Elgin and Winter Garden Theatres in Toronto, Ontario. It moved to Montreal two years later and then toured other parts of Canada. By the time the production closed in August 1989, it had become the most successful Canadian stage production of all time with a box office of $78 million from nearly 2 million tickets. A second Canadian touring company began in 2013, 28 years after the first one launched.
Colleen Riley is a freelance editor, artist, and immigration paralegal. Her credits include The White Box, Beating the Story, Friendly Local Game Store, Meeples Together, Unknown Armies 3, Infinity, Laser Kittens, More Kittens, Black Mass, and Cavaliers of Mars: Witch-Queen of the Shadowed Citadel. She has also down a lot of work on the Technoir line Technoir, Mechnoir, Morenoir) and the Trinity Continuum (Æon Æxpansion, Distant Worlds, and In Media Res). She serves four (mostly) benevolent feline overlords in Minneapolis, Minnesota. Her Twitter (@wordbunny) and Instagram (colleen_elizabeth_riley) are primarily cat pictures.
Make Magical Kitties a rock star on social media and help people discover the amazing world of roleplaying games! When we reach ANY of the milestones listed above, we'll unlock the next Social Stretch Goal. We've already unlocked upgraded character sheets and a digital wallpaper pack for all backers! Go here for detailed instructions on how you can join the team!
A cat show is a judged event in which the owners of cats compete to win titles in various cat registering organizations by entering their cats to be judged after a breed standard. Both pedigreed and companion (or moggy) cats are admissible, although the rules differ from organization to organization. Cats are compared to a breed standard, and the owners of those judged to be closest to it are awarded a prize. Moggies are judged based on their temperament. Often, at the end of the year, all of the points accrued at various shows are added up and more national and regional titles are awarded.
Meanwhile, Mackintosh engaged the advertising agency Dewynters to design a poster for the musical. After much back-and-forth, the agency presented a minimalist poster consisting of a pair of yellow feline eyes (with dancing silhouettes for the pupils) set against a black backdrop. The producers and the creative team loved the design but felt that the title — Practical Cats — looked out of place when paired with the image of the cat's eyes. The musical's title was thus shortened to just Cats.
In the 1980s, the success of local productions of Cats in Tokyo, Sydney, Vienna, Hamburg, and Toronto were turning points that established these cities (and their respective countries) as major commercial markets in the global theatrical circuit. The musical was also a boon for the Broadway touring industry. In 1997, The New York Times credited the regional and touring productions of Cats with "almost single-handedly reviv[ing] the sagging road business". Cats revolutionised the touring business by introducing the now commonplace practice of extended touring engagements that can last several weeks or months in a single city, as opposed to the typical one-week or ten-day tour stop. Mackintosh's insistence that all touring productions of Cats replicate the Broadway production also resulted in the expansion and upgrading of regional theatre venues to accommodate the musical's demanding logistical requirements, as local theatre owners did not want to miss out on the opportunity to host the lucrative show.
House cats seem to have been extremely rare among the ancient Greeks and Romans; Herodotus expressed astonishment at the domestic cats in Egypt, because he had only ever seen wildcats. Even during later times, weasels were far more commonly kept as pets and weasels, not cats, were seen as the ideal rodent-killers. The usual ancient Greek word for "cat" was ailouros, meaning "thing with the waving tail",:57 but this word could also be applied to any of the "various long-tailed carnivores kept for catching mice". Cats are rarely mentioned in ancient Greek literature, but Aristotle does remark in his History of Animals that "female cats are naturally lecherous.":74 The Greeks later syncretized their own goddess Artemis with the Egyptian goddess Bast, adopting Bastet's associations with cats and ascribing them to Artemis.:77–79 In Ovid's Metamorphoses, when the deities flee to Egypt and take animal forms, the goddess Diana (the Roman equivalent of Artemis) turns into a cat.:79 Cats eventually displaced ferrets as the pest control of choice because they were more pleasant to have around the house and were more enthusiastic hunters of mice. During the Middle Ages, many of Artemis's associations with cats were grafted onto the Virgin Mary. Cats are often shown in icons of Annunciation and of the Holy Family and, according to Italian folklore, on the same night that Mary gave birth to Jesus, a virgin cat in Bethlehem gave birth to a kitten. Domestic cats were spread throughout much of the rest of the world during the Age of Discovery, as ships' cats were carried on sailing ships to control shipboard rodents and as good-luck charms.:223
The stage production of Cats has undergone several revisions since its London opening. When the show transferred to Broadway, several cuts and rewrites were made with the intention of appealing more to an American audience. Additionally, a song entitled "Cat Morgan Introduces Himself" was cut during initial development. Lloyd Webber performed this song at the show's 6,138th Broadway performance, when it broke the record to become the longest-running Broadway show.
Lloyd Webber began setting Eliot's poems to music in 1977 and the compositions were first presented as a song cycle in 1980. Producer Cameron Mackintosh then recruited director Trevor Nunn and choreographer Gillian Lynne to turn the songs into a complete musical. Cats opened to positive reviews at the New London Theatre in the West End in 1981 and then to mixed reviews at the Winter Garden Theatre on Broadway in 1982. It won numerous awards including Best Musical at both the Laurence Olivier and Tony Awards. Despite its unusual premise which deterred investors initially, the musical turned out to be an unprecedented commercial success, with a worldwide gross of $3.5 billion by 2012.
Under the direction of Peter Weck, the first German-language production of Cats opened in September 1983 at the Theater an der Wien in Vienna, Austria. In 1988, the show transferred to the newly-renovated Ronacher Theatre where it ran for another two years before closing on its seventh anniversary in September 1990. The Vienna production played a total of 2,040 performances to more than 2.3 million audiences.
Cats is completely told through music with no dialogue in between the songs, although there are occasions when the music accompanies spoken verse. Lloyd Webber's compositions employ an eclectic range of musical styles so as to magnify the characters' contrasting personalities. For example, the rebellious Rum Tum Tugger is introduced with a rock song ("The Rum Tum Tugger"); the fallen Grizabella is accompanied by a dramatic operatic aria ("Grizabella: The Glamour Cat"); Old Deuteronomy makes his grand entrance to a lullaby-turned-anthem ("Old Deuteronomy"); and Gus' nostalgia for the past is reflected through an old-fashioned music hall number ("Gus: The Theatre Cat"). Many of the songs are pastiches of their respective genres, which Snelson attributes to the show's origins as a song cycle:
Clio Yun-su Davis is a game designer and writer who creates larps, tabletop roleplaying games, interactive fiction games, and card games. Their freeform game The Long Drive Back from Busan won the Golden Cobra Challenge award for Best Game That Incorporates Meaningful, Non-Romantic Relationships in 2017, and their game about the future of ancestor worship, The Truth About Eternity, was presented at Fastaval 2019 in Denmark. http://www.cysdavis.com
Cats has been produced by various professional regional theatre companies. Broadway Sacramento staged the musical in 2003 and 2009 at the Wells Fargo Pavilion. Both productions featured Ken Page reprising his role as Old Deuteronomy from the original Broadway production, along with Jacquelyn Piro Donovan as Grizabella and Jeffry Denman as Munkustrap. A 2010 amphitheatre production at The Muny starred Page as Old Deuteronomy, Stephanie J. Block as Grizabella and Lara Teeter as Munkustrap. The La Mirada Theatre for the Performing Arts staged the musical in 2014, with a cast that included Todrick Hall as Rum Tum Tugger.
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Shortly after the Sydmonton Festival, Lloyd Webber began setting the unpublished poems he had been given to music, a few of which were later added into the show. He also composed the overture and "The Jellicle Ball", incorporating analog synthesizers into these orchestrations to try to create a unique electronic soundscape. Meanwhile, Mackintosh recruited Nunn, the then artistic director of the Royal Shakespeare Company (RSC), to direct Practical Cats. Nunn was an unusual choice as he was considered "too high-brow" for musical theatre, but Mackintosh felt that a "pedigree" director was needed to ensure Valerie Eliot's approval of the project. After much persuasion, Nunn came on board and was joined by his fellow RSC colleagues, choreographer Gillian Lynne and set and costume designer John Napier. Nunn initially envisioned Practical Cats as a chamber piece for five actors and two pianos, which he felt would reflect "Eliot's charming, slightly offbeat, mildly satiric view of late-1930's London". However, he relented to Lloyd Webber's more ambitious vision for the musical. Nunn was also convinced that for the musical to have the wide commercial appeal that the producers desired, it could not remain as a series of isolated numbers but instead had to have a narrative through line. He was therefore tasked with piecing the self-contained poems together into a story. Nunn wrote about the significance "Grizabella the Glamour Cat" had on the construction of the narrative:
You’ve never played a roleplaying game, either? Purr-fect! Magical Kitties includes a lot of tools — including a solo play module so that you can start playing within moments of opening the box! — and guidance for both first-time roleplayers and first-time GMs. Whether you’ve played board games with roleplaying elements like Mice & Mystics or T.I.M.E. Stories, watched actual play videos, or just think roleplaying games sound like a lot of fun and you want to give them a try, Magical Kitties can be your first step into a larger world.