A cat show is a judged event in which the owners of cats compete to win titles in various cat registering organizations by entering their cats to be judged after a breed standard. Both pedigreed and companion (or moggy) cats are admissible, although the rules differ from organization to organization. Cats are compared to a breed standard, and the owners of those judged to be closest to it are awarded a prize. Moggies are judged based on their temperament. Often, at the end of the year, all of the points accrued at various shows are added up and more national and regional titles are awarded.
Cats introduced a marketing strategy that set the template for subsequent megamusicals. Early advertisements for the musical did not feature traditional pull quotes (despite many positive reviews) or any of the cast, focusing instead on branding the show itself as the star. It did this by adopting — and then aggressively promoting — a single recognisable image (the cat's-eyes logo) as the face of the show. The cat's-eyes logo was the first globally marketed logo in musical theatre history, and was paired with a tagline ("now and forever") to create what The Daily Telegraph called "one of musical theatre's greatest posters". Such branding emblems proved equally effective for later megamusicals, as seen with the waif Cosette for Les Misérables and the Phantom's mask for The Phantom of the Opera. This advertising method had the additional effect of diminishing the importance of critical reviews, popularising the so-called "critic-proof" status of megamusicals.
^ Jump up to: a b Loss, Scott R.; Will, Tom; Marra, Peter P. (29 January 2013). "The impact of free-ranging domestic cats on wildlife of the United States". Nature Communications. 4. Article number 1396. Bibcode:2013NatCo...4.1396L. doi:10.1038/ncomms2380. PMID 23360987. We estimate that free-ranging domestic cats kill 1.4–3.7 billion birds and 6.9–20.7 billion mammals annually.
"It was the custom to burn a basket, barrel, or sack full of live cats, which was hung from a tall mast in the midst of the bonfire; sometimes a fox was burned. The people collected the embers and ashes of the fire and took them home, believing that they brought good luck. The French kings often witnessed these spectacles and even lit the bonfire with their own hands. In 1648 Louis XIV, crowned with a wreath of roses and carrying a bunch of roses in his hand, kindled the fire, danced at it and partook of the banquet afterwards in the town hall. But this was the last occasion when a monarch presided at the midsummer bonfire in Paris. At Metz midsummer fires were lighted with great pomp on the esplanade, and a dozen cats, enclosed in wicker cages, were burned alive in them, to the amusement of the people. Similarly at Gap, in the department of the Hautes-Alpes, cats used to be roasted over the midsummer bonfire."
^ Glen, A. S.; Dickman, C. R. (2005). "Complex interactions among mammalian carnivores in Australia, and their implications for wildlife management" (PDF). Biological Reviews of the Cambridge Philosophical Society. 80 (3): 387–401. CiteSeerX 10.1.1.452.7854. doi:10.1017/S1464793105006718. PMID 16094805. Archived (PDF) from the original on 22 September 2017.
Cats can be infected or infested with viruses, bacteria, fungus, protozoans, arthropods or worms that can transmit diseases to humans. In some cases, the cat exhibits no symptoms of the disease, However, the same disease can then become evident in a human. The likelihood that a person will become diseased depends on the age and immune status of the person. Humans who have cats living in their home or in close association are more likely to become infected, however, those who do not keep cats as pets might also acquire infections from cat feces and parasites exiting the cat's body. Some of the infections of most concern include salmonella, cat-scratch disease and toxoplasmosis.
Shortly after the Sydmonton Festival, Lloyd Webber began setting the unpublished poems he had been given to music, a few of which were later added into the show. He also composed the overture and "The Jellicle Ball", incorporating analog synthesizers into these orchestrations to try to create a unique electronic soundscape. Meanwhile, Mackintosh recruited Nunn, the then artistic director of the Royal Shakespeare Company (RSC), to direct Practical Cats. Nunn was an unusual choice as he was considered "too high-brow" for musical theatre, but Mackintosh felt that a "pedigree" director was needed to ensure Valerie Eliot's approval of the project. After much persuasion, Nunn came on board and was joined by his fellow RSC colleagues, choreographer Gillian Lynne and set and costume designer John Napier. Nunn initially envisioned Practical Cats as a chamber piece for five actors and two pianos, which he felt would reflect "Eliot's charming, slightly offbeat, mildly satiric view of late-1930's London". However, he relented to Lloyd Webber's more ambitious vision for the musical. Nunn was also convinced that for the musical to have the wide commercial appeal that the producers desired, it could not remain as a series of isolated numbers but instead had to have a narrative through line. He was therefore tasked with piecing the self-contained poems together into a story. Nunn wrote about the significance "Grizabella the Glamour Cat" had on the construction of the narrative:
Cats are popular as a subject of art and photography, Walter Chandoha made his career photographing cats after his 1949 images of Loco, an especially charming stray taken in, were published around the world. He is reported to have photographed 90,000 cats during his career and maintained an archive of 225,000 images that he drew from for publications during his lifetime.
Besides Japan, Cats is also produced regularly in other parts of Asia. The region has hosted numerous English-language productions of the musical, beginning with a tour from 1993 to 1994 when it played in Singapore (with local actress Jacintha Abisheganaden as Grizabella), Hong Kong and South Korea. Cats returned to Asia from 2002 to 2004 when it visited Malaysia, South Korea, Shanghai, Taipei and Beijing; the 2004 cast included Slindile Nodangala in the role of Grizabella. A touring company visited Asia again between 2007 and 2010, including stops in Taiwan, Macau, and Thailand in 2007; South Korea from 2007 to 2009; China in 2008; Singapore and Hong Kong in 2009 (with Delia Hannah playing Grizabella); and Manila in 2010 (with Lea Salonga as Grizabella). Cats toured Asia again from 2014 to 2015, making stops in South Korea, Singapore and Macau. Two years later, another international tour was launched and is scheduled to run through 2020, with visits to South Korea from 2017 to 2018, Hong Kong and Taiwan in 2018, China in 2018 (with Joanna Ampil as Grizabella) and 2019, and planned stops in the Philippines and Singapore in 2019, and Malaysia in 2020.
Kitten Canon is a classic physics game. Fluffy has found his way into your cannon again, that dang cat just never listens and doesn't care! The only way you can teach it a lesson is by firing that cannon into a field of bombs, spikes, springs, and other awesome obstacles! From the mind of Dan Fleming comes a game that only Dan Fleming could invent: Kitten Canon!! This is a classic launch game with a solid physics engine that allows you to accurately predict where and how fast you can launch Fluffy. Fluffy is a naughty cat so don't worry too much about their well being, it really is Fluffy's own fault for being in the cannon in the first place. Now its your chance to teach Fluffy a lesson in this fun action puzzler!
Lloyd Webber began setting Eliot's poems to music in 1977 and the compositions were first presented as a song cycle in 1980. Producer Cameron Mackintosh then recruited director Trevor Nunn and choreographer Gillian Lynne to turn the songs into a complete musical. Cats opened to positive reviews at the New London Theatre in the West End in 1981 and then to mixed reviews at the Winter Garden Theatre on Broadway in 1982. It won numerous awards including Best Musical at both the Laurence Olivier and Tony Awards. Despite its unusual premise which deterred investors initially, the musical turned out to be an unprecedented commercial success, with a worldwide gross of $3.5 billion by 2012.
The scientific name Felis catus for the domestic cat was proposed by Carl Linnaeus in the 10th edition of Systema Naturae published in 1758. Felis catus domesticus was a scientific name proposed by Johann Christian Polycarp Erxleben in 1777. Felis daemon proposed by Konstantin Alekseevich Satunin in 1904 was a black cat specimen from the Transcaucasus, later identified as a domestic cat.