Cats have relatively few taste buds compared to humans (470 or so versus more than 9,000 on the human tongue).[91] Domestic and wild cats share a gene mutation that keeps their sweet taste buds from binding to sugary molecules, leaving them with no ability to taste sweetness.[92] Their taste buds instead respond to acids, amino acids like protein, and bitter tastes.[93] Cats also have a distinct temperature preference for their food, preferring food with a temperature around 38 °C (100 °F) which is similar to that of a fresh kill and routinely rejecting food presented cold or refrigerated (which would signal to the cat that the "prey" item is long dead and therefore possibly toxic or decomposing).[91]


Felines are carnivores and have adapted to animal-based diets and low carbohydrate inclusion. Kittens are categorized in a growth life stage, and have high energy and protein requirements.[23] When feeding a kitten, it is often recommended to use highly digestible ingredients and various components to aid in development in order to produce a healthy adult.[24] In North America, diets certified by the Association of American Feed Control Officials (AAFCO) are accepted as adequate nutrition, thus kitten diets should be AAFCO approved to ensure full supplementation.[25] Key components of the diet are high fat content to meet caloric requirements of growth, high protein to meet requirements for muscle growth as well as supplementation of certain nutrients such as docosahexaenoic acid to benefit the development of the brain and optimization of cognition.[26]
Kittens require a high-calorie diet that contains more protein than the diet of adult cats.[43] Young orphaned kittens require cat milk every two to four hours, and they need physical stimulation to defecate and urinate.[6] Cat milk replacement is manufactured to feed to young kittens, because cow's milk does not provide all the necessary nutrients.[44] Human-reared kittens tend to be very affectionate with humans as adults and sometimes more dependent on them than kittens reared by their mothers, but they can also show volatile mood swings and aggression.[45] Depending on the age at which they were orphaned and how long they were without their mothers, these kittens may be severely underweight and can have health problems later in life, such as heart conditions. The compromised immune system of orphaned kittens (from lack of antibodies found naturally in the mother's milk) can make them especially susceptible to infections, making antibiotics a necessity.[46]
Shortly after the Sydmonton Festival, Lloyd Webber began setting the unpublished poems he had been given to music, a few of which were later added into the show. He also composed the overture and "The Jellicle Ball", incorporating analog synthesizers into these orchestrations to try to create a unique electronic soundscape.[11] Meanwhile, Mackintosh recruited Nunn, the then artistic director of the Royal Shakespeare Company (RSC), to direct Practical Cats. Nunn was an unusual choice as he was considered "too high-brow" for musical theatre,[12] but Mackintosh felt that a "pedigree" director was needed to ensure Valerie Eliot's approval of the project.[13] After much persuasion, Nunn came on board and was joined by his fellow RSC colleagues, choreographer Gillian Lynne and set and costume designer John Napier.[9][14] Nunn initially envisioned Practical Cats as a chamber piece for five actors and two pianos, which he felt would reflect "Eliot's charming, slightly offbeat, mildly satiric view of late-1930's London".[15] However, he relented to Lloyd Webber's more ambitious vision for the musical.[15] Nunn was also convinced that for the musical to have the wide commercial appeal that the producers desired, it could not remain as a series of isolated numbers but instead had to have a narrative through line.[14] He was therefore tasked with piecing the self-contained poems together into a story.[16] Nunn wrote about the significance "Grizabella the Glamour Cat" had on the construction of the narrative:
Cats are ready to go to new homes at about 12 weeks of age, when they are ready to leave their mother.[184] They can be surgically sterilized (spayed or castrated) as early as 7 weeks to limit unwanted reproduction.[185] This surgery also prevents undesirable sex-related behavior, such as aggression, territory marking (spraying urine) in males and yowling (calling) in females. Traditionally, this surgery was performed at around six to nine months of age, but it is increasingly being performed before puberty, at about three to six months.[186] In the US, about 80% of household cats are neutered.[187]
"Cats" first premiered on London's West End 38 years ago and the hit musical, which also ran on Broadway for 18 years, will soon be back and bigger than ever — on the silver screen, that is. The first trailer for the upcoming "Cats" film was revealed on Friday, and fans got a glimpse of what Jennifer Hudson, Taylor Swift and other stars look like as singing and dancing felines.

After the overture, the cats gather on stage and describe the Jellicle tribe and its purpose ("Jellicle Songs for Jellicle Cats"). The cats (who break the fourth wall throughout the show) then notice that they are being watched by a human audience, and proceed to explain how the different cats of the tribe are named ("The Naming of Cats"). This is followed by a ballet solo performed by Victoria to signal the beginning of the Jellicle Ball ("The Invitation to the Jellicle Ball"). At this moment, Munkustrap, the show's main narrator, explains that tonight the Jellicle patriarch Old Deuteronomy will make an appearance and choose one of the cats to be reborn into a new life on the Heaviside Layer.


One of Nunn's stipulations for agreeing to direct Practical Cats was that actress Judi Dench would be cast in the musical. Lloyd Webber was happy to oblige given her credentials and so Dench joined the company in the dual roles of Grizabella and Jennyanydots. Former Royal Ballet principal dancer Wayne Sleep was offered the part of Mr. Mistoffelees after Lloyd Webber and Mackintosh attended a performance by his dance troupe, one of the many dance showcases they saw in preparation for the musical. Casting for the other roles began in November 1980, with auditions held across the UK for dancers who could also sing and act. There was an initial disagreement over the casting of Nicholas as Rum Tum Tugger; Nunn had misgivings about the actor's laid-back attitude but eventually yielded to Lloyd Webber, Mackintosh and Lynne, all of whom were keen on Nicholas for the role. Sarah Brightman, who had already made a name for herself with the chart hit "I Lost My Heart to a Starship Trooper", arranged a private audition and was cast in an as-then undecided role. By December, the full cast had been assembled.[18]

There have been numerous notable performers in the Japanese production, including Shintarō Sonooka as Munkustrap (original 1983 cast),[170] Kanji Ishimaru as Skimbleshanks (1992),[171] Masachika Ichimura, and Mayo Kawasaki.[172] Yoshiko Hattori (ja:服部良子) holds the production's record for the longest-appearing cast member; she played Jennyanydots in the original 1983 cast and remained in the role for 20 years with a final performance tally of 4,251.[172]

Dance plays a major role in Cats as the creative team had specifically set out to create "England's first dance musical".[81] Before Cats, the industry-wide belief was that British dancers were inferior to their Broadway counterparts. The risky hiring of a British choreographer, Lynne, for a British dance musical was described by one historian as "a vivid and marvellous gesture of transatlantic defiance".[82] Making Lynne's job more challenging was the fact that the music in Cats is unceasing and the majority of the cast remains onstage throughout nearly the entire show.[82]
The fourth national company, Cats National IV, toured the United States for 13 years from March 1987 to December 1999.[117] It overtook the first national tour of Oklahoma! in November 1997 to become the longest-running tour in theatre history, and played its 5,000th performance in July 1999.[118] Notable performers in the fourth tour included Amelia Marshall as Sillabub (1988), Jan Horvath as Grizabella (1990), Bryan Batt as Munkustrap (1991–1992), Jennifer Cody as Rumpleteazer (1992), David Hibbard as Rum Tum Tugger (1992–1993), Natalie Toro as Grizabella (1992, 1997), Christopher Gattelli as Mistoffelees (1993), John Treacy Egan as Old Deuteronomy (1993–1994), J. Robert Spencer as Rum Tum Tugger (1995), Bart Shatto as Bustopher Jones/Gus/Growltiger (1996), Linda Balgord as Grizabella (1998), Andy Karl as Rum Tum Tugger (1998), and Lena Hall as Demeter (1998).[117] By June 1997, the North American touring companies had grossed over $400 million.[88]
The musical first played in Mexico from April 1991 to November 1992;[120] the Spanish-language production performed over 400 shows and starred María del Sol as Grizabella,[130] Manuel Landeta as Munkustrap,[131] Susana Zabaleta as Jellylorum, Maru Dueñas as Sillabub and Ariel López Padilla as Macavity.[132] A revival premiered at the Teatro San Rafael in May 2013, with an opening night cast that included Filippa Giordano as Grizabella, Landeta, and Maru Dueñas.[133] After a total of 350 performances, the show closed at the Teatro San Rafael in June 2014,[134] and then toured over 36 cities in Mexico until December 2014.[135][136] Other performers who later joined the production included Lisset,[137] Rocío Banquells,[138] Lila Deneken and Myriam Montemayor Cruz, all of whom played Grizabella.[139] Another Mexican revival was launched at the Coyoacán Centennial Theater in October 2018, with Yuri as Grizabella and Landeta as Old Deuteronomy.[131][140] The revival marked its 200th performance in May 2019.[141]
The cat skull is unusual among mammals in having very large eye sockets and a powerful specialized jaw.[66]:35 Within the jaw, cats have teeth adapted for killing prey and tearing meat. When it overpowers its prey, a cat delivers a lethal neck bite with its two long canine teeth, inserting them between two of the prey's vertebrae and severing its spinal cord, causing irreversible paralysis and death.[67] Compared to other felines, domestic cats have narrowly spaced canine teeth relative to the size of their jaw, which is an adaptation to their preferred prey of small rodents, which have small vertebrae.[67] The premolar and first molar together compose the carnassial pair on each side of the mouth, which efficiently shears meat into small pieces, like a pair of scissors. These are vital in feeding, since cats' small molars cannot chew food effectively, and cats are largely incapable of mastication.[66]:37 Although cats tend to have better teeth than most humans, with decay generally less likely because of a thicker protective layer of enamel, a less damaging saliva, less retention of food particles between teeth, and a diet mostly devoid of sugar, they are nonetheless subject to occasional tooth loss and infection.[68]

Cats conserve energy by sleeping more than most animals, especially as they grow older. The daily duration of sleep varies, usually between 12 and 16 hours, with 13 and 14 being the average. Some cats can sleep as much as 20 hours. The term "cat nap" for a short rest refers to the cat's tendency to fall asleep (lightly) for a brief period. While asleep, cats experience short periods of rapid eye movement sleep often accompanied by muscle twitches, which suggests they are dreaming.[129]
Vitamin A is required in kitten diets because cats cannot convert carotenes to retinol in the intestinal mucosa because they lack the enzyme so this vitamin must be supplement in the diet.[24][42] Vitamin E is another required vitamin in kitten diets seeing as deficiency leads to steatitis, causing the depot fat to become firm and yellow-orange in colour, which is painful and leads to death.[42] Also, vitamin D is an essential vitamin because cats cannot convert it from precursors in the skin.[24]
House cats seem to have been extremely rare among the ancient Greeks and Romans;[267] Herodotus expressed astonishment at the domestic cats in Egypt, because he had only ever seen wildcats.[267] Even during later times, weasels were far more commonly kept as pets[267] and weasels, not cats, were seen as the ideal rodent-killers.[267] The usual ancient Greek word for "cat" was ailouros, meaning "thing with the waving tail",[266]:57[267] but this word could also be applied to any of the "various long-tailed carnivores kept for catching mice".[267] Cats are rarely mentioned in ancient Greek literature,[267] but Aristotle does remark in his History of Animals that "female cats are naturally lecherous."[266]:74[267] The Greeks later syncretized their own goddess Artemis with the Egyptian goddess Bast, adopting Bastet's associations with cats and ascribing them to Artemis.[266]:77–79 In Ovid's Metamorphoses, when the deities flee to Egypt and take animal forms, the goddess Diana (the Roman equivalent of Artemis) turns into a cat.[266]:79 Cats eventually displaced ferrets as the pest control of choice because they were more pleasant to have around the house and were more enthusiastic hunters of mice.[268] During the Middle Ages, many of Artemis's associations with cats were grafted onto the Virgin Mary.[268] Cats are often shown in icons of Annunciation and of the Holy Family[268] and, according to Italian folklore, on the same night that Mary gave birth to Jesus, a virgin cat in Bethlehem gave birth to a kitten.[268] Domestic cats were spread throughout much of the rest of the world during the Age of Discovery, as ships' cats were carried on sailing ships to control shipboard rodents and as good-luck charms.[265]:223
The domestic cat is a significant predator of birds. UK assessments indicate they may be accountable for an estimated 64.8 million bird deaths each year.[155] A 2012 study suggests feral cats may kill several billion birds each year in the United States.[222] Certain species appear more susceptible than others; for example, 30% of house sparrow mortality is linked to the domestic cat.[223] In the recovery of ringed robins (Erithacus rubecula) and dunnocks (Prunella modularis), 31% of deaths were a result of cat predation.[224] In parts of North America, the presence of larger carnivores such as coyotes which prey on cats and other small predators reduces the effect of predation by cats and other small predators such as opossums and raccoons on bird numbers and variety.[225] The proposal that cat populations will increase when the numbers of these top predators decline is called the mesopredator release hypothesis.
Cats are amazing creatures because they make us laugh all the time! Watching funny cats is the hardest try not to laugh challenge! Just look how all these cats & kittens play, fail, get along with dogs and other animals, get scared, make funny sounds, get angry,... So ridiculous, funny and cute! What is your favourite clip? :) Hope you like our compilation, please share it and SUBSCRIBE! Watch also our other videos!
In the 1980s, the success of local productions of Cats in Tokyo,[161] Sydney,[330] Vienna, Hamburg,[173] and Toronto were turning points that established these cities (and their respective countries) as major commercial markets in the global theatrical circuit.[331] The musical was also a boon for the Broadway touring industry. In 1997, The New York Times credited the regional and touring productions of Cats with "almost single-handedly reviv[ing] the sagging road business".[332] Cats revolutionised the touring business by introducing the now commonplace practice of extended touring engagements that can last several weeks or months in a single city, as opposed to the typical one-week or ten-day tour stop. Mackintosh's insistence that all touring productions of Cats replicate the Broadway production also resulted in the expansion and upgrading of regional theatre venues to accommodate the musical's demanding logistical requirements, as local theatre owners did not want to miss out on the opportunity to host the lucrative show.[333]

Additionally, Cats was the first Broadway and West End show to capitalise on merchandising as a major revenue stream. Stalls were set up in the theatre lobbies to sell souvenirs ranging from toys and watches to coffee mugs, all of which were emblazoned with the cat's-eyes logo. The official Cats t-shirt became the second-best-selling t-shirt in the world in the 1980s, second only to the Hard Rock Cafe t-shirt. Merchandising has since become an important source of income for the industry.[313][323]
If you’re a roleplayer with years of experience, Magical Kitties makes it easy to introduce your friends and family your favorite hobby. But if you’ve never played a roleplaying game before, Magical Kitties Save the Day makes it easy to try something new! Between The Big Adventure, “The Game Master’s First Adventure,” and the Kitty Tips! you’ll find throughout every book, it’ll be like we’re right there by your side the whole time.
^ Zorro, the last cat of a colony at the Merrimack River in Newburyport, Massachusetts, died in 2009 at age 16. "Trap-Neuter-Return Effectively Stabilizes and Reduces Feral Cat Populations: Trap-Neuter-Return Humanely Stabilized and Reduced in Size the Merrimack River Colony" Archived 5 March 2016 at the Wayback Machine, Alley Cat Allies, accessed 18 August 2014; an earlier article in the LA Times was written when Zorro was the last remaining living cat: "Advocates report success with trap, neuter, return approach to stray cats" Archived 6 March 2016 at the Wayback Machine, Los Angeles Times, 29 September 2009.

Stage parodies of the musical have also been mounted in the West End and Off-Broadway. CAT – (THE PLAY!!!), a one-man show written by Jamie Beamish and Richard Hardwick, is a dark comedy about the fictitious life of Dave, a cat who was fired from the original London production of Cats on opening night. Starring Gerard McCarthy as Dave and with choreography by Arlene Phillips, the musical premiered at the 2014 Edinburgh Fringe Festival;[346] it performed at various regional venues before making its West End debut at the Ambassadors Theatre in April 2017.[347] Katdashians! Break the Musical!, a parody mashup of Keeping Up with the Kardashians and Cats by Bob and Tobly McSmith, premiered Off-Broadway at the Elektra Theatre in June 2016.[348] All the song parodies of Cats were later removed after accusations of copyright infringement from Lloyd Webber's representatives, who claimed the songs were being used "to parody another subject matter entirely".[349] Other stage shows that satirise Cats include Six Degrees of Separation,[344] Angels in America,[293] and The Musical of Musicals (The Musical!).[350]


When cats become aggressive, they try to make themselves appear larger and more threatening by raising their fur, arching their backs, turning sideways and hissing or spitting.[141] Often, the ears are pointed down and back to avoid damage to the inner ear and potentially listen for any changes behind them while focused forward. They may also vocalize loudly and bare their teeth in an effort to further intimidate their opponent. Fights usually consist of grappling and delivering powerful slaps to the face and body with the forepaws as well as bites. Cats also throw themselves to the ground in a defensive posture to rake their opponent's belly with their powerful hind legs.[152]
^ Jump up to: a b Cameron-Beaumont, Charlotte; Lowe, Sarah E.; Bradshaw, John W. S. (2002). "Evidence Suggesting Pre-adaptation to Domestication Throughout the Small Felidae" (PDF). Biological Journal of the Linnean Society. 75 (3): 361–366. doi:10.1046/j.1095-8312.2002.00028.x. Archived from the original (PDF) on 9 June 2011. Retrieved 29 September 2009.
Cats is considered the quintessential megamusical, because it reconceived, like no other show before, theatrical space as an immense affective encompasser, that transforms the viewing experience into a hypercharged thrill-ride and the spectator into an explorer of new and challenging aural and visual sensations. Its unprecedented success paved the way for even bolder hyperspatial configurations, made the set designer a proper environment builder and raised light and sound design into the status of art in their own right. It also paved the way for the constant revolutionization of stage technology.[320]
Practical Cats, as the show was then called, was first presented as a song cycle at the 1980 summer Sydmonton Festival. The concert was performed by Gemma Craven, Gary Bond and Paul Nicholas. Eliot's widow and literary executor, Valerie, was in attendance and brought along various unpublished cat-themed poems by Eliot. One of these was "Grizabella the Glamour Cat" which, although rejected from Eliot's book for being "too sad for children", gave Lloyd Webber the idea for a full-blown musical.[10] He explained:
Some of the same factors that have promoted adaptive radiation of island avifauna over evolutionary time appear to promote vulnerability to non-native species in modern time. The susceptibility of many island birds is undoubtedly due to evolution in the absence of mainland predators, competitors, diseases, and parasites, in addition to lower reproductive rates and extended incubation periods.[231] The loss of flight, or reduced flying ability is also characteristic of many island endemics.[232] These biological aspects have increased vulnerability to extinction in the presence of introduced species, such as the domestic cat.[233] Equally, behavioral traits exhibited by island species, such as "predatory naivety"[234] and ground-nesting,[231] have also contributed to their susceptibility.
Cats has been produced by various professional regional theatre companies. Broadway Sacramento staged the musical in 2003 and 2009 at the Wells Fargo Pavilion. Both productions featured Ken Page reprising his role as Old Deuteronomy from the original Broadway production, along with Jacquelyn Piro Donovan as Grizabella and Jeffry Denman as Munkustrap.[283][284] A 2010 amphitheatre production at The Muny starred Page as Old Deuteronomy, Stephanie J. Block as Grizabella and Lara Teeter as Munkustrap.[285] The La Mirada Theatre for the Performing Arts staged the musical in 2014, with a cast that included Todrick Hall as Rum Tum Tugger.[286]
In isolated landmasses, such as Australasia, there are often no other native, medium-sized quadrupedal predators (including other feline species); this tends to exacerbate the impact of feral cats on small native animals.[214] Native species such as the New Zealand kakapo and the Australian bettong, for example, tend to be more ecologically vulnerable and behaviorally "naive", when faced with predation by cats.[215] Feral cats have had a major impact on these native species and have played a leading role in the endangerment and extinction of many animals.[216]
Lloyd Webber began composing the songs in late 1977 as a songwriting exercise, partly because Eliot's book had been a childhood favourite and partly to see if he could write music to predetermined lyrics. The compositions were performed privately for friends but Lloyd Webber had no further intentions for them at the time. After his song cycle Tell Me on a Sunday was televised by the BBC in early 1980, Lloyd Webber began to consider using his musicalizations of Eliot's poems in the same vein for a televised concert anthology.[8] He approached producer Cameron Mackintosh to discuss possible avenues for the songs.[9]
Meanwhile, the first Canadian national production premiered in March 1985 at the Elgin and Winter Garden Theatres in Toronto, Ontario. It moved to Montreal two years later and then toured other parts of Canada. By the time the production closed in August 1989, it had become the most successful Canadian stage production of all time with a box office of $78 million from nearly 2 million tickets.[118][128] A second Canadian touring company began in 2013, 28 years after the first one launched.[129]
Feral cats are domestic cats that were born in or have reverted to a wild state. They are unfamiliar with and wary of humans and roam freely in urban and rural areas.[10] The numbers of feral cats is not known, but estimates of the US feral population range from 25 to 60 million.[10] Feral cats may live alone, but most are found in large colonies, which occupy a specific territory and are usually associated with a source of food.[206] Famous feral cat colonies are found in Rome around the Colosseum and Forum Romanum, with cats at some of these sites being fed and given medical attention by volunteers.[207]
Under Section 107 of the Copyright Act 1976, allowance is made for «fair use» for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of «fair use». The recent amendments to the Copyright Act of 1976 pertain to music. «Fair use» remains in force for film and video.

Within the first 2 days after birth, kittens acquire passive immunity from their mother’s milk.[30] Milk within the first few days of parturition is called colostrum, and contains high concentrations of immunoglobulins.[30] These include immunoglobulin A and immunoglobulin G which cross the intestinal barrier of the neonate.[29] The immunoglobulins and growth factors found in the colostrum begin to establish and strengthen the weak immune system of the offspring.[31] Kittens are able to chew solid food around 5–6 weeks after birth, and it is recommended that 30% of their diet should consist of solid food at this time.[32] The kitten remains on the mother’s milk until around eight weeks of age when weaning is complete and a diet of solid food is the primary food source.[23]
^ Jump up to: a b Driscoll, C. A.; Macdonald, D. W.; O'Brien, S. J. (2009). "In the Light of Evolution III: Two Centuries of Darwin Sackler Colloquium: From Wild Animals to Domestic Pets – An Evolutionary View of Domestication". Proceedings of the National Academy of Sciences of the United States of America. 106 (S1): 9971–9978. Bibcode:2009PNAS..106.9971D. doi:10.1073/pnas.0901586106. PMC 2702791. PMID 19528637.

A combination of required nutrients is used to satisfy the overall growth and development of the kitten body, there are many ingredients that kittens do not require, but are included in diet formulation to encourage healthy growth and development. These ingredients include: dried egg as source of high quality protein and fatty acids, flaxseed as source of flaxseed oil which is rich in omega 3 fatty acid and aids in digestion, calcium carbonate as a source of calcium, and calcium pantothenate (vitamin B5) acts as a coenzyme in the conversion of amino acids and is important for healthy skin.[42]
Among domestic cats, males are more likely to fight than females.[149] Among feral cats, the most common reason for cat fighting is competition between two males to mate with a female. In such cases, most fights are won by the heavier male.[150] Another common reason for fighting in domestic cats is the difficulty of establishing territories within a small home.[149] Female cats also fight over territory or to defend their kittens. Neutering will decrease or eliminate this behavior in many cases, suggesting that the behavior is linked to sex hormones.[151]
With a third crash and an evil laugh, the "most wanted" cat Macavity appears. He is the so-called "Napoleon of Crime" who always manages to evade the authorities. Macavity's henchmen capture Old Deuteronomy and take off with the patriarch in tow. As Munkustrap and his troops give chase, Demeter and Bombalurina explain what they know about Macavity ("Macavity: The Mystery Cat"). When they are finished, Macavity returns disguised as Old Deuteronomy, but his cover is blown by Demeter and he ends up in a fight with Munkustrap and Alonzo. Macavity holds his own for a time, but as the rest of the tribe begin to gang up and surround him, he shorts out the stage lights and escapes in the resulting confusion.

Among domestic cats, males are more likely to fight than females.[149] Among feral cats, the most common reason for cat fighting is competition between two males to mate with a female. In such cases, most fights are won by the heavier male.[150] Another common reason for fighting in domestic cats is the difficulty of establishing territories within a small home.[149] Female cats also fight over territory or to defend their kittens. Neutering will decrease or eliminate this behavior in many cases, suggesting that the behavior is linked to sex hormones.[151]
×