Reactions to the original Broadway production were mixed. In his review for The New York Times, Frank Rich noted that the main draw of the show was that it "transports the audience into a complete fantasy world that could only exist in the theater". He attributed much of this "wondrous spectacle" to Nunn's direction, Napier's set and costume designs, as well as the talented cast. Rich found many of Lloyd Webber's songs to be "cleverly and appropriately" pastiche, and was impressed with how Lynne and Nunn distinguished each character through personalised movement. However, he panned Lynne's choreography and felt that the musical failed in its vague attempt to tell a story. Overall, he wished that the show had more "feeling to go with its most inventive stagecraft." Clive Barnes of the New York Post concluded his review saying: "Its importance lies in its wholeheartedness. It is a statement of musical theater that cannot be ignored, should prove controversial and will never be forgotten."
Most breeds of cat have a noted fondness for settling in high places, or perching. In the wild, a higher place may serve as a concealed site from which to hunt; domestic cats may strike prey by pouncing from a perch such as a tree branch, as does a leopard. Another possible explanation is that height gives the cat a better observation point, allowing it to survey its territory. A cat falling from heights of up to 3 meters can right itself and land on its paws.
The Late Latin word is generally thought to originate from an Afro-Asiatic language, but every proposed source word has presented problems. Many references refer to "Berber" (Kabyle) kaddîska, 'wildcat', and Nubian kadīs as possible sources or cognates, but M. Lionel Bender suggests the Nubian term is a loan from Arabic قِطَّة qiṭṭa. Jean-Paul Savignac suggests the Latin word is from an Ancient Egyptian precursor of Coptic ϣⲁⲩ šau, 'tomcat', or its feminine form suffixed with -t, but John Huehnergard says "the source [...] was clearly not Egyptian itself, where no analogous form is attested." Huehnergard opines it is "equally likely that the forms might derive from an ancient Germanic word, imported into Latin and thence to Greek and to Syriac and Arabic". Guus Kroonen also considers the word to be native to Germanic (due to morphological alternations) and Northern Europe, and suggests that it might ultimately be borrowed from Uralic, cf. Northern Sami gáđfi, 'female stoat', and Hungarian hölgy, 'stoat'; from Proto-Uralic *käďwä, 'female (of a furred animal)'. In any case, cat is a classic example of a word that has spread as a loanword among numerous languages and cultures: a Wanderwort.
Napier also designed the costumes, combining cat and human features based on "hints" given in Eliot's poems, while ensuring that they did not impede the dancers' movements. The costumes generally consist of a unitard, a wig that is fashioned to suggest the presence of feline ears, patches resembling body fur, and arm and leg warmers to give the performers' hands and feet a more paw-like appearance. As with the contrasting music and dance styles, the costumes and make-up are used to bring out each character's distinct personality. For example, the costume for the flirtatious Bombalurina is designed to accentuate her sexiness, while the markings on the costume for Jemima — the youngest of the tribe — resemble crayon scribbles. Every character's design motif is custom-painted by hand onto a plain unitard to line up with their performer's individual body. In order to reproduce the "hand-drawn aesthetic" of Napier's original design sketches, costume painters in the original Broadway production used squeeze bottles to apply the paint. Due to the amount of dancing in Cats, most of the costume did not last longer than a few months.
The 2014 London revival introduced several modernizations to the show. Rum Tum Tugger was reworked and changed from a ladies-man rockstar to a breakdancing street cat. His eponymous musical number was also turned into a rap. The 2015 Australian tour and 2015 Paris production also used the new version of the character; however, the 2016 Broadway revival did not.
Felines are natural carnivores and do not intentionally consume large quantities of carbohydrates. The domestic cat's liver has adapted to the lack of carbohydrates in the diet by using amino acids to produce glucose to fuel the brain and other tissues. Studies have shown that carbohydrate digestion in young kittens is much less effective than that of a mature feline with a developed gastrointestinal tract. Highly digestible carbohydrates can be found in commercial kitten food as a source of additional energy as well as a source of fiber to stimulate the immature gut tissue. Soluble fibre such as beet pulp is a common ingredient used as a fibrous stool hardener and has been proven to strengthen intestinal muscles and to thicken the gut mucosal layer to prevent diarrhea.
With a third crash and an evil laugh, the "most wanted" cat Macavity appears. He is the so-called "Napoleon of Crime" who always manages to evade the authorities. Macavity's henchmen capture Old Deuteronomy and take off with the patriarch in tow. As Munkustrap and his troops give chase, Demeter and Bombalurina explain what they know about Macavity ("Macavity: The Mystery Cat"). When they are finished, Macavity returns disguised as Old Deuteronomy, but his cover is blown by Demeter and he ends up in a fight with Munkustrap and Alonzo. Macavity holds his own for a time, but as the rest of the tribe begin to gang up and surround him, he shorts out the stage lights and escapes in the resulting confusion.
Cats have relatively few taste buds compared to humans (470 or so versus more than 9,000 on the human tongue). Domestic and wild cats share a gene mutation that keeps their sweet taste buds from binding to sugary molecules, leaving them with no ability to taste sweetness. Their taste buds instead respond to acids, amino acids like protein, and bitter tastes. Cats also have a distinct temperature preference for their food, preferring food with a temperature around 38 °C (100 °F) which is similar to that of a fresh kill and routinely rejecting food presented cold or refrigerated (which would signal to the cat that the "prey" item is long dead and therefore possibly toxic or decomposing).
Cats and many other animals have a Jacobson's organ in their mouths that is used in the behavioral process of flehmening. It allows them to sense certain aromas in a way that humans cannot. Cats are sensitive to pheromones such as 3-mercapto-3-methylbutan-1-ol, which they use to communicate through urine spraying and marking with scent glands. Many cats also respond strongly to plants that contain nepetalactone, especially catnip, as they can detect that substance at less than one part per billion. About 70–80% of cats are affected by nepetalactone. This response is also produced by other plants, such as silver vine (Actinidia polygama) and the herb valerian; it may be caused by the smell of these plants mimicking a pheromone and stimulating cats' social or sexual behaviors.
The musical returned to the West End in 2014 for a planned 12-week limited run at the London Palladium. Beginning on 6 December, the revival starred Nicole Scherzinger as Grizabella, and featured the original creative team, with direction from Nunn, choreography by Lynne and design by Napier. Lloyd Webber was also involved and rewrote "The Rum Tum Tugger" and "Growltiger's Last Stand" for the revival. The run was later extended through April 2015 and an additional 100,000 tickets were released, with Kerry Ellis replacing Scherzinger as Grizabella. The musical returned once again to the London Palladium for another limited run lasting from 23 October 2015 to 2 January 2016, starring Beverley Knight as Grizabella.
^ Jump up to: a b Ottoni, C.; Van Neer, W.; De Cupere, B.; Daligault, J.; Guimaraes, S.; Peters, J.; Spassov, N.; Prendergast, M. E.; Boivin, N.; Morales-Muñiz, A.; Bălăşescu, A.; Becker, C.; Benecke, N.; Boroneant, A.; Buitenhuis, H.; Chahoud, J.; Crowther, A.; Llorente, L.; Manaseryan, N.; Monchot, H.; Onar, V.; Osypińska, M.; Putelat, O.; Quintana Morales, E. M.; Studer, J.; Wierer, U.; Decorte, R.; Grange, T.; Geigl, E. (2017). "The palaeogenetics of cat dispersal in the ancient world". Nature Ecology & Evolution. 1 (7): 0139. doi:10.1038/s41559-017-0139. ISSN 2397-334X.
Then, as Rum Tum Tugger's song fades, a shabby old grey cat stumbles out wanting to be reconciled; it is Grizabella. All the cats back away from her in fear and disgust and explain her unfortunate state ("Grizabella: The Glamour Cat"). Grizabella leaves and the music changes to a cheerful upbeat number as Bustopher Jones, a fat cat in "a coat of fastidious black", is brought to the stage ("Bustopher Jones: The Cat About Town"). Bustopher Jones is among the elite of the cats, and visits prestigious gentlemen's clubs. Suddenly, a loud crash startles the tribe and the cats run offstage in fright. Hushed giggling sounds signal the entrance of Mungojerrie and Rumpleteazer, a pair of near-identical cats. They are mischievous petty burglars who enjoy causing trouble around their human neighbourhood ("Mungojerrie and Rumpleteazer"). After they finish, they are caught off-guard and confronted by the rest of the cats.
In Magical Kitties Save the Day, one player — known as the Game Master (GM) — has a very special role. They describe the world in which the magical kitties live to the other players and, when the kitties take action, they use the rules of the game to figure out what happens next. Magical Kitties also includes “Magical Kitties & The Game Master’s First Adventure.” Just as The Big Adventure will walk new players through how to play the game, “The Game Master’s First Adventure” will walk first-time Game Masters through how to run the game for their friends and family.
The original London production received mostly rave reviews, with critics hailing it as a watershed moment in British musical theatre. Michael Billington of The Guardian lauded Cats as "an exhilarating piece of total theatre". Billington praised the show's "strong framework" and the ease in which the poems were integrated. He was also very impressed by Lloyd Webber's fitting compositions, Napier's environmental set, Lynne's effective and at times brilliant choreography, and Nunn's "dazzling staging" that makes use of the entire auditorium. The show received similarly glowing reviews from The Sunday Times' Derek Jewell and The Stage's Peter Hepple. Jewell proclaimed it to be "among the most exhilarating and innovative musicals ever staged", while Hepple declared that with Cats, "the British musical has taken a giant leap forward, surpassing in ingenuity and invention anything Broadway has sent us".
Cats are naturally carnivores and require high amounts of protein in the diet. Kittens are undergoing growth and require high amounts of protein to provide essential amino acids that enable the growth of tissues and muscles. It is recommended that kittens consume a diet containing approximately 30% protein on a dry matter basis for proper growth.
Lloyd Webber began composing the songs in late 1977 as a songwriting exercise, partly because Eliot's book had been a childhood favourite and partly to see if he could write music to predetermined lyrics. The compositions were performed privately for friends but Lloyd Webber had no further intentions for them at the time. After his song cycle Tell Me on a Sunday was televised by the BBC in early 1980, Lloyd Webber began to consider using his musicalizations of Eliot's poems in the same vein for a televised concert anthology. He approached producer Cameron Mackintosh to discuss possible avenues for the songs.
Among domestic cats, males are more likely to fight than females. Among feral cats, the most common reason for cat fighting is competition between two males to mate with a female. In such cases, most fights are won by the heavier male. Another common reason for fighting in domestic cats is the difficulty of establishing territories within a small home. Female cats also fight over territory or to defend their kittens. Neutering will decrease or eliminate this behavior in many cases, suggesting that the behavior is linked to sex hormones.
Garth Graham was classically trained as an Industrial Designer, but he started his first webcomic back in college. Since then, he’s become an established freelance comic artist, foregoing all that higher education to tell stories with pictures. It’s kinda awesome. Mostly these days he draws StarPower, a super powered space adventure. You can visit him online at www.gcgstudios.com.
^ Glen, A. S.; Dickman, C. R. (2005). "Complex interactions among mammalian carnivores in Australia, and their implications for wildlife management" (PDF). Biological Reviews of the Cambridge Philosophical Society. 80 (3): 387–401. CiteSeerX 10.1.1.452.7854. doi:10.1017/S1464793105006718. PMID 16094805. Archived (PDF) from the original on 22 September 2017.
Most of the lyrics in Cats were taken from Old Possum's Book of Practical Cats with very minor alterations. Supplementary verses from unpublished poems by Eliot were adapted for "Grizabella: The Glamour Cat" and "Journey to the Heaviside Layer", while the song "The Moments of Happiness" was taken from a passage in Eliot's The Dry Salvages. Cats director Trevor Nunn and lyricist Richard Stilgoe provided the remaining lyrics, namely for the opening number "Jellicle Songs for Jellicle Cats" and the most famous song from the musical "Memory". The former was written by Nunn and Stilgoe and was modelled after an unpublished poem by Eliot titled "Pollicle Dogs and Jellicle Cats", while the latter was written by Nunn based on another Eliot poem titled "Rhapsody on a Windy Night".
Additionally, Cats was the first Broadway and West End show to capitalise on merchandising as a major revenue stream. Stalls were set up in the theatre lobbies to sell souvenirs ranging from toys and watches to coffee mugs, all of which were emblazoned with the cat's-eyes logo. The official Cats t-shirt became the second-best-selling t-shirt in the world in the 1980s, second only to the Hard Rock Cafe t-shirt. Merchandising has since become an important source of income for the industry.
Here in eight lines Eliot was describing an intensely recognizable character with powerful human resonances, while introducing the themes of mortality, and the past, which occur repeatedly in the major poems. We decided that if Eliot had thought of being serious, touching, almost tragic in his presentation of a feline character, then we had to be doing a show which could contain that material, and the implications of it. Furthermore, we would have to achieve the sense of progression through themes more than incidents.
Cats are amazing creatures because they make us laugh all the time! Watching funny cats is the hardest try not to laugh challenge! Just look how all these cats & kittens play, fail, get along with dogs and other animals, get scared, make funny sounds, get angry,... So ridiculous, funny and cute! What is your favourite clip? :) Hope you like our compilation, please share it and SUBSCRIBE! Watch also our other videos!
Another unusual feature is that the cat cannot produce taurine,[note 1] with a deficiency in this nutrient causing macular degeneration, wherein the cat's retina slowly breaks down, causing irreversible blindness. This is due to the hepatic activity of cystinesulfinic acid decarboxylase being low in cats. This limits the ability of cats to biosynthesize the taurine they need from its precursor, the amino acid cysteine, which ultimately results in inadequate taurine production needed for normal function. Deficiencies in taurine result in compensated function of feline cardiovascular and reproductive systems. These abnormalities can also be accompanied by developmental issues in the central nervous system along with degeneration of the retina.
Napier began designing the set in November 1980, wanting "a place where cats might congregate together, which also included maximum room for dancing". The set of Cats consists of a junkyard filled with oversized props to give the illusion that the cast are the size of actual cats; it remains the same throughout the show without any scene changes. Over 2,500 of these scaled-up props were used to fill the whole auditorium in the original Broadway production.
The domestic cat is a member of the Felidae, a family that had a common ancestor about 10–15 million years ago. The genus Felis diverged from the Felidae around 6–7 million years ago. Members of this genus include the jungle cat (F. chaus), European wildcat (F. silvestris), African wildcat (F. lybica), Chinese mountain cat (F. bieti), sand cat (F. margarita) and black-footed cat (F. nigripes). Results of phylogenetic research confirm that these wild Felis species evolved through sympatric or parapatric speciation, whereas the domestic cat evolved through artificial selection.