Ekaterina Kazartseva says, “Hi!” She’s mostly known as Pinguinlog. She’s been drawing since childhood and has been doing it professionally for the past six years. “Mostly I’m interested in drawing nature and animals. I think we can learn a lot from the world around us, so I like to explore it from different angles.” She’s also the happy owner of a Caique parrot, Arthur, and two precious cats, Kitty and Sassy, who give her constant inspiration and good reference for Magical Kitties.
Since kitten diets are very high in calories, ingredients must be implemented to ensure adequate digestion and utilization of these calories. Choline chloride is an ingredient that maintains fat metabolism. Biotin and niacin are also active in the metabolism of fats, carbs and protein. Riboflavin is also necessary for the digestion of fats and carbohydrates. These are the main metabolism aids incorporated into kitten diets to ensure nutrient usage is maximized.
Cats have excellent hearing and can detect an extremely broad range of frequencies. They can hear higher-pitched sounds than either dogs or humans, detecting frequencies from 55 Hz to 79,000 Hz, a range of 10.5 octaves, while humans and dogs both have ranges of about 9 octaves. Cats can hear ultrasound, which is important in hunting because many species of rodents make ultrasonic calls. However, they do not communicate using ultrasound like rodents do. Cats' hearing is also sensitive and among the best of any mammal, being most acute in the range of 500 Hz to 32 kHz. This sensitivity is further enhanced by the cat's large movable outer ears (their pinnae), which both amplify sounds and help detect the direction of a noise.
Reactions to the original Broadway production were mixed. In his review for The New York Times, Frank Rich noted that the main draw of the show was that it "transports the audience into a complete fantasy world that could only exist in the theater". He attributed much of this "wondrous spectacle" to Nunn's direction, Napier's set and costume designs, as well as the talented cast. Rich found many of Lloyd Webber's songs to be "cleverly and appropriately" pastiche, and was impressed with how Lynne and Nunn distinguished each character through personalised movement. However, he panned Lynne's choreography and felt that the musical failed in its vague attempt to tell a story. Overall, he wished that the show had more "feeling to go with its most inventive stagecraft." Clive Barnes of the New York Post concluded his review saying: "Its importance lies in its wholeheartedness. It is a statement of musical theater that cannot be ignored, should prove controversial and will never be forgotten."
The Japanese-language production of Cats by the Shiki Theatre Company has been playing continuously since November 1983. This production is a "slow tour" with engagements lasting for several years in each of the nine cities it has visited. The musical premiered in a purpose-built tent theatre in Shinjuku, Tokyo, with a Japanese script translated by Keita Asari, the founder of the Shiki Theatre Company. There had never been a long-running stage production in Japan prior to Cats, and the huge success of this production led to what the local media termed a "musical boom" in the 1980s, with other Broadway musicals quickly following suit and opening in Japan.
Back in the present, after Gus exits, Skimbleshanks is seen sleeping in the corner ("Skimbleshanks: The Railway Cat"). He is the cat who is unofficially in charge of the night train to Glasgow. Skimbleshanks is considered vital to the rail operations, as without him "the train can't start". Within his song, a whole steam train engine is assembled out of objects in the junkyard.
Another poorly understood element of cat hunting behavior is the presentation of prey to human guardians. Ethologist Paul Leyhausen proposed that cats adopt humans into their social group and share excess kill with others in the group according to the dominance hierarchy, in which humans are reacted to as if they are at, or near, the top. Anthropologist and zoologist Desmond Morris, in his 1986 book Catwatching, suggests, when cats bring home mice or birds, they are attempting to teach their human to hunt, or trying to help their human as if feeding "an elderly cat, or an inept kitten". Morris's hypothesis is inconsistent with the fact that male cats also bring home prey, despite males having negligible involvement with raising kittens.:153
There have been numerous notable performers in the Japanese production, including Shintarō Sonooka as Munkustrap (original 1983 cast), Kanji Ishimaru as Skimbleshanks (1992), Masachika Ichimura, and Mayo Kawasaki. Yoshiko Hattori (ja:服部良子) holds the production's record for the longest-appearing cast member; she played Jennyanydots in the original 1983 cast and remained in the role for 20 years with a final performance tally of 4,251.
The sex of kittens is usually easy to determine at birth. By six to eight weeks they are harder to sex because of the growth of fur in the genital region. The male's urethral opening is round, whereas the female's urethral opening is a slit. Another marked difference is the distance between anus and urethral opening, which is greater in males than in females.
In the original London production, Mungojerrie and Rumpleteazer were characters in their own right and sang their eponymous song themselves as a singsong-style duet. When the show transferred to Broadway, the song was instead sung in the third-person, with Mungojerrie and Rumpleteazer as puppets being magically controlled by Mr. Mistoffelees. Their number was also rewritten to be faster and more upbeat, alternating between vaudeville-style verses and a "manic patter" section. Eventually, the Broadway version of the song was rewritten to allow Mungojerrie and Rumpleteazer to once again sing their own song as full characters.
The first Australian production ran from July 1985 to August 1987 at the Theatre Royal in Sydney. The original Sydney cast included Debra Byrne as Grizabella, Marina Prior as Jellylorum, Jeff Phillips as Rum Tum Tugger, David Atkins as Mistoffelees, and Anita Louise Combe as Sillabub. It then moved to Her Majesty's Theatre in Melbourne where it played from October 1987 to December 1988, with Femi Taylor as Bombalurina and Seán Martin Hingston as Plato/Macavity. From 1989 to 1990, the company toured the Festival Theatre in Adelaide, His Majesty's Theatre in Perth, Civic Theatre in Newcastle, Lyric Theatre in Brisbane, and the Aotea Centre in Auckland. This was followed by a second national tour from 1993 to 1996, during which Delia Hannah made her debut as Grizabella in 1994. A professional circus adaptation of Cats, titled Cats Run Away to the Circus, had a national tent tour from 1999 to 2001, with Hannah once again starring as Grizabella. Hannah reprised her role for another production that toured Australia and Asia in 2009 and 2010.
Under Section 107 of the Copyright Act 1976, allowance is made for «fair use» for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of «fair use». The recent amendments to the Copyright Act of 1976 pertain to music. «Fair use» remains in force for film and video.
Despite moderate hits with Jesus Christ Superstar and Evita, Lloyd Webber was still relatively unknown to the general public before Cats, especially in the US. With Cats, he became a big celebrity in his own right. The musical also established the theatrical careers of the original creative and production team. Following Cats, they collaborated on other global blockbusters including Starlight Express (composed by Lloyd Webber, directed by Nunn and designed by Napier), Les Misérables (directed by Nunn, designed by Napier and produced by Mackintosh), and The Phantom of the Opera (composed by Lloyd Webber, choreographed by Lynne and produced by Mackintosh).
The Dutch live entertainment company Stage Entertainment has been responsible for several European productions of Cats. The company produced the musical at the Coliseum Theatre in Madrid from December 2003 to January 2005, with a cast that included Víctor Ullate as Mistoffelees. They then staged a Russian-language production at the Moscow Palace of Youth from 2005 to 2006, with a cast that included Ivan Ozhogin as Munkustrap. A Dutch production under the same company toured the Netherlands and Belgium from 2006 to 2007, featuring several performers in the role of Grizabella including Pia Douwes and Anita Meyer. A Paris revival by Stage Entertainment ran at the Théâtre Mogador from October 2015 to July 2016. This production was based on the 2014 London revival and also featured a new song written especially for the French show by Lloyd Webber.
Like almost all members of the Felidae, cats have protractable and retractable claws. In their normal, relaxed position, the claws are sheathed with the skin and fur around the paw's toe pads. This keeps the claws sharp by preventing wear from contact with the ground and allows the silent stalking of prey. The claws on the fore feet are typically sharper than those on the hind feet. Cats can voluntarily extend their claws on one or more paws. They may extend their claws in hunting or self-defense, climbing, kneading, or for extra traction on soft surfaces. Most cats have five claws on their front paws, and four on their rear paws. The fifth front claw (the dewclaw) is proximal to the other claws. More proximally is a protrusion which appears to be a sixth "finger". This special feature of the front paws, on the inside of the wrists, is the carpal pad, also found on the paws of big cats and dogs. It has no function in normal walking, but is thought to be an antiskidding device used while jumping. Some breeds of cats are prone to polydactyly (extra toes and claws). These are particularly common along the northeast coast of North America.
"Cats" first premiered on London's West End 38 years ago and the hit musical, which also ran on Broadway for 18 years, will soon be back and bigger than ever — on the silver screen, that is. The first trailer for the upcoming "Cats" film was revealed on Friday, and fans got a glimpse of what Jennifer Hudson, Taylor Swift and other stars look like as singing and dancing felines.
To aid with navigation and sensation, cats have dozens of movable whiskers (vibrissae) over their body, especially their faces. These provide information on the width of gaps and on the location of objects in the dark, both by touching objects directly and by sensing air currents; they also trigger protective blink reflexes to protect the eyes from damage.:47
The Rescue Center will get $1 for each pound we turn in. We do have to have a minimum of 1500 lbs, so bring us your shoes...! This shoe campaign will benefit our spay/neuter fund. We have approximately 30+ kittens who will need spay/neuter by the end of August, so it is imperative we have the necessary funds to get them all fixed and ready for their adoptive homes!
Cats are similar in anatomy to the other felid species, with a strong flexible body, quick reflexes, sharp teeth and retractable claws adapted to killing small prey. They are predators who are most active at dawn and dusk (crepuscular). Cats can hear sounds too faint or too high in frequency for human ears, such as those made by mice and other small animals. Compared to humans, they see better in the dark (they see in near total darkness) and have a better sense of smell, but poorer color vision. Cats, despite being solitary hunters, are a social species. Cat communication includes the use of vocalizations including meowing, purring, trilling, hissing, growling and grunting as well as cat-specific body language. Cats also communicate by secreting and perceiving pheromones.