In the original London production, Mungojerrie and Rumpleteazer were characters in their own right and sang their eponymous song themselves as a singsong-style duet. When the show transferred to Broadway, the song was instead sung in the third-person, with Mungojerrie and Rumpleteazer as puppets being magically controlled by Mr. Mistoffelees. Their number was also rewritten to be faster and more upbeat, alternating between vaudeville-style verses and a "manic patter" section. Eventually, the Broadway version of the song was rewritten to allow Mungojerrie and Rumpleteazer to once again sing their own song as full characters.[388]

The fourth national company, Cats National IV, toured the United States for 13 years from March 1987 to December 1999.[117] It overtook the first national tour of Oklahoma! in November 1997 to become the longest-running tour in theatre history, and played its 5,000th performance in July 1999.[118] Notable performers in the fourth tour included Amelia Marshall as Sillabub (1988), Jan Horvath as Grizabella (1990), Bryan Batt as Munkustrap (1991–1992), Jennifer Cody as Rumpleteazer (1992), David Hibbard as Rum Tum Tugger (1992–1993), Natalie Toro as Grizabella (1992, 1997), Christopher Gattelli as Mistoffelees (1993), John Treacy Egan as Old Deuteronomy (1993–1994), J. Robert Spencer as Rum Tum Tugger (1995), Bart Shatto as Bustopher Jones/Gus/Growltiger (1996), Linda Balgord as Grizabella (1998), Andy Karl as Rum Tum Tugger (1998), and Lena Hall as Demeter (1998).[117] By June 1997, the North American touring companies had grossed over $400 million.[88]

Cats is completely told through music with no dialogue in between the songs,[74] although there are occasions when the music accompanies spoken verse. Lloyd Webber's compositions employ an eclectic range of musical styles so as to magnify the characters' contrasting personalities.[4] For example, the rebellious Rum Tum Tugger is introduced with a rock song ("The Rum Tum Tugger"); the fallen Grizabella is accompanied by a dramatic operatic aria ("Grizabella: The Glamour Cat"); Old Deuteronomy makes his grand entrance to a lullaby-turned-anthem ("Old Deuteronomy"); and Gus' nostalgia for the past is reflected through an old-fashioned music hall number ("Gus: The Theatre Cat").[16] Many of the songs are pastiches of their respective genres, which Snelson attributes to the show's origins as a song cycle:
Encouraged by the reception to the first West End revival, producers began looking to bring Cats back to Broadway in early 2015.[108] The Broadway revival opened on 31 July 2016 at the Neil Simon Theatre.[109] It featured new choreography by Andy Blankenbuehler, with Nunn and Napier from the original creative team returning to direct and design respectively.[110] Scherzinger, who played Grizabella in the 2014 West End revival, had originally agreed to reprise the role on Broadway but later withdrew.[111] Leona Lewis was cast as Grizabella instead and was ultimately succeeded by Mamie Parris in October 2016.[64] The Broadway revival closed on 30 December 2017 after 16 previews and 593 performances.[109]

As well as being kept as pets, cats are also used in the international fur[238] and leather industries for making coats, hats, blankets, and stuffed toys;[239] and shoes, gloves, and musical instruments respectively[240] (about 24 cats are needed to make a cat-fur coat).[241] This use has been outlawed in the United States, Australia, and the European Union.[242] Cat pelts have been used for superstitious purposes as part of the practise of witchcraft,[243] and are still made into blankets in Switzerland as folk remedies believed to help rheumatism.[244] In the Western intellectual tradition, the idea of cats as everyday objects have served to illustrate problems of quantum mechanics in the Schrödinger's cat thought experiment.
Beyond the megamusical, Cats also led the Broadway trend for musicals aimed at families and tourists, which would later take the form of the Disney Theatrical Productions and jukebox musicals.[315][324] The marketing campaigns for the musical targeted family audiences at a time when this demographic was not a consideration in the industry.[324] Composer Joe Raposo said of family musicals in 1986: "Cats is a wonderful proof of what an audience is out there, untapped. People do want a theatrical experience for their children."[325] Thanks to its easily accessible spectacle, the original Broadway production also tapped into the then-burgeoning tourist boom in New York and its audience shifted increasingly towards foreign visitors in its later years.[321][314] Billington also specifically traces the rise of the jukebox musical genre back to Cats, citing the latter's disregard for dramatic text in favour of an all-encompassing theatrical experience.[326]
Another poorly understood element of cat hunting behavior is the presentation of prey to human guardians. Ethologist Paul Leyhausen proposed that cats adopt humans into their social group and share excess kill with others in the group according to the dominance hierarchy, in which humans are reacted to as if they are at, or near, the top.[163] Anthropologist and zoologist Desmond Morris, in his 1986 book Catwatching, suggests, when cats bring home mice or birds, they are attempting to teach their human to hunt, or trying to help their human as if feeding "an elderly cat, or an inept kitten".[164][165] Morris's hypothesis is inconsistent with the fact that male cats also bring home prey, despite males having negligible involvement with raising kittens.[161]:153

When you open your copy of Magical Kitties Save the Day, sitting right on top will be a copy of Magical Kitties & The Big Adventure, a solo-play graphic novel adventure illustrated by Garth Graham. This action-packed comic book is also a full scenario! Within moments of opening the box, you’ll be able to create your magical kitty and go on an amazing adventure that will also teach readers of all ages how to play the full game!
We are supported by the entire team at Atlas Games, including, especially, Michelle Nephew, the co-owner of the company who, along with her wonderful children, discovered the joys of Magical Kitties at Con of the North all those years ago. Our grateful thanks, too, for all of the friends, fans, and playtesters who’ve also done so much to make this edition of Magical Kitties Save the Day a reality.
"Memory" is the standout hit song from Cats. By 2002, the song had been played over two million times on radio and television stations in the US.[99] It was the most requested song at piano bars and lounges in the 1980s, and was an equally popular choice at weddings, concerts and other gatherings. As of 2006, the song had been recorded around 600 times by artists such as Barbra Streisand, Barry Manilow, Judy Collins, and Johnny Mathis, in covers ranging from easy listening to techno.[334] According to Sternfeld, it is "by some estimations the most successful song ever from a musical."[318]
Many of the ensemble characters were created by the original cast through extensive improvisation sessions held during the rehearsal process. Said Nunn: "[O]n day one of rehearsals what we had was 15 poems set to music and five weeks later we had a show with characters, relationships and stories running from beginning to end."[24][25] The production faced a last minute mishap when Dench snapped her Achilles tendon during rehearsals for "The Old Gumbie Cat" and had to pull out one week before the first preview. Her understudy Myra Sands replaced her as Jennyanydots, while Elaine Paige agreed to take over the role of Grizabella. Opening night was pushed back to 11 May, but Mackintosh refused to postpone the previews as he wanted to dispel the industry rumours that the production was an impending debacle.[26]
Practical Cats, as the show was then called, was first presented as a song cycle at the 1980 summer Sydmonton Festival. The concert was performed by Gemma Craven, Gary Bond and Paul Nicholas. Eliot's widow and literary executor, Valerie, was in attendance and brought along various unpublished cat-themed poems by Eliot. One of these was "Grizabella the Glamour Cat" which, although rejected from Eliot's book for being "too sad for children", gave Lloyd Webber the idea for a full-blown musical.[10] He explained:
"It was the custom to burn a basket, barrel, or sack full of live cats, which was hung from a tall mast in the midst of the bonfire; sometimes a fox was burned. The people collected the embers and ashes of the fire and took them home, believing that they brought good luck. The French kings often witnessed these spectacles and even lit the bonfire with their own hands. In 1648 Louis XIV, crowned with a wreath of roses and carrying a bunch of roses in his hand, kindled the fire, danced at it and partook of the banquet afterwards in the town hall. But this was the last occasion when a monarch presided at the midsummer bonfire in Paris. At Metz midsummer fires were lighted with great pomp on the esplanade, and a dozen cats, enclosed in wicker cages, were burned alive in them, to the amusement of the people. Similarly at Gap, in the department of the Hautes-Alpes, cats used to be roasted over the midsummer bonfire."[278]
Napier began designing the set in November 1980, wanting "a place where cats might congregate together, which also included maximum room for dancing".[93] The set of Cats consists of a junkyard filled with oversized props to give the illusion that the cast are the size of actual cats;[94] it remains the same throughout the show without any scene changes. Over 2,500 of these scaled-up props were used to fill the whole auditorium in the original Broadway production.[16][95]

"Memory" is the standout hit song from Cats. By 2002, the song had been played over two million times on radio and television stations in the US.[99] It was the most requested song at piano bars and lounges in the 1980s, and was an equally popular choice at weddings, concerts and other gatherings. As of 2006, the song had been recorded around 600 times by artists such as Barbra Streisand, Barry Manilow, Judy Collins, and Johnny Mathis, in covers ranging from easy listening to techno.[334] According to Sternfeld, it is "by some estimations the most successful song ever from a musical."[318]

Additionally, Cats was the first Broadway and West End show to capitalise on merchandising as a major revenue stream. Stalls were set up in the theatre lobbies to sell souvenirs ranging from toys and watches to coffee mugs, all of which were emblazoned with the cat's-eyes logo. The official Cats t-shirt became the second-best-selling t-shirt in the world in the 1980s, second only to the Hard Rock Cafe t-shirt. Merchandising has since become an important source of income for the industry.[313][323]


Meanwhile, the first Canadian national production premiered in March 1985 at the Elgin and Winter Garden Theatres in Toronto, Ontario. It moved to Montreal two years later and then toured other parts of Canada. By the time the production closed in August 1989, it had become the most successful Canadian stage production of all time with a box office of $78 million from nearly 2 million tickets.[118][128] A second Canadian touring company began in 2013, 28 years after the first one launched.[129]
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After the overture, the cats gather on stage and describe the Jellicle tribe and its purpose ("Jellicle Songs for Jellicle Cats"). The cats (who break the fourth wall throughout the show) then notice that they are being watched by a human audience, and proceed to explain how the different cats of the tribe are named ("The Naming of Cats"). This is followed by a ballet solo performed by Victoria to signal the beginning of the Jellicle Ball ("The Invitation to the Jellicle Ball"). At this moment, Munkustrap, the show's main narrator, explains that tonight the Jellicle patriarch Old Deuteronomy will make an appearance and choose one of the cats to be reborn into a new life on the Heaviside Layer.
Then, as Rum Tum Tugger's song fades, a shabby old grey cat stumbles out wanting to be reconciled; it is Grizabella. All the cats back away from her in fear and disgust and explain her unfortunate state ("Grizabella: The Glamour Cat"). Grizabella leaves and the music changes to a cheerful upbeat number as Bustopher Jones, a fat cat in "a coat of fastidious black", is brought to the stage ("Bustopher Jones: The Cat About Town"). Bustopher Jones is among the elite of the cats, and visits prestigious gentlemen's clubs. Suddenly, a loud crash startles the tribe and the cats run offstage in fright. Hushed giggling sounds signal the entrance of Mungojerrie and Rumpleteazer, a pair of near-identical cats. They are mischievous petty burglars who enjoy causing trouble around their human neighbourhood ("Mungojerrie and Rumpleteazer"). After they finish, they are caught off-guard and confronted by the rest of the cats.

Cats hunt small prey, primarily birds and rodents,[155] and are often used as a form of pest control.[156][157] Domestic cats are a major predator of wildlife in the United States, killing an estimated 1.4 to 3.7 billion birds and 6.9 to 20.7 billion mammals annually.[158][159] The bulk of predation in the United States is done by 80 million feral and stray cats. Effective measures to reduce this population are elusive, meeting opposition from cat enthusiasts.[158][159] In the case of free-ranging pets, equipping cats with bells and not letting them out at night will reduce wildlife predation.[155]
After Hamburg, the German production transferred to Stuttgart where it played from 2001 to 2002.[182][183] Stage Entertainment took over the production mid-2002 and moved the show to Berlin (2002–2004)[184][185] and later Düsseldorf (2004–2005),[186] before touring other cities until 2006.[187][188] Mehr-Entertainment launched a separate tour of Cats that ran from December 2010 to June 2013, performing in a travelling purpose-built tent theatre.[180] Besides Germany, this company also made stops in cities in Luxembourg, Switzerland and Austria.[189]
Until approximately one year of age, the kitten is undergoing a growth phase where energy requirements are up to 2.5 times higher than maintenance.[33] Pet nutritionists often suggest that a commercial cat food designed specifically for kittens should be offered beginning at 4 weeks of age.[28] Fat has a higher caloric value than carbohydrates and protein, supplying 8.5kcal/g.[34] The growing kitten requires arachidonic and linoleic acid which can be provided in omega-3 fatty acids.[23] Docosahexaenoic acid (DHA) is another vital nutrient that can be supplied through omega 3 fatty acid. Addition of DHA to the diet benefits the cognition, brain and visual development of kittens.[28]
Cats and many other animals have a Jacobson's organ in their mouths that is used in the behavioral process of flehmening. It allows them to sense certain aromas in a way that humans cannot. Cats are sensitive to pheromones such as 3-mercapto-3-methylbutan-1-ol,[86] which they use to communicate through urine spraying and marking with scent glands.[87] Many cats also respond strongly to plants that contain nepetalactone, especially catnip, as they can detect that substance at less than one part per billion.[88] About 70–80% of cats are affected by nepetalactone.[89] This response is also produced by other plants, such as silver vine (Actinidia polygama) and the herb valerian; it may be caused by the smell of these plants mimicking a pheromone and stimulating cats' social or sexual behaviors.[90]
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