In the 1980s, the success of local productions of Cats in Tokyo,[161] Sydney,[330] Vienna, Hamburg,[173] and Toronto were turning points that established these cities (and their respective countries) as major commercial markets in the global theatrical circuit.[331] The musical was also a boon for the Broadway touring industry. In 1997, The New York Times credited the regional and touring productions of Cats with "almost single-handedly reviv[ing] the sagging road business".[332] Cats revolutionised the touring business by introducing the now commonplace practice of extended touring engagements that can last several weeks or months in a single city, as opposed to the typical one-week or ten-day tour stop. Mackintosh's insistence that all touring productions of Cats replicate the Broadway production also resulted in the expansion and upgrading of regional theatre venues to accommodate the musical's demanding logistical requirements, as local theatre owners did not want to miss out on the opportunity to host the lucrative show.[333]
Shortly after the Sydmonton Festival, Lloyd Webber began setting the unpublished poems he had been given to music, a few of which were later added into the show. He also composed the overture and "The Jellicle Ball", incorporating analog synthesizers into these orchestrations to try to create a unique electronic soundscape.[11] Meanwhile, Mackintosh recruited Nunn, the then artistic director of the Royal Shakespeare Company (RSC), to direct Practical Cats. Nunn was an unusual choice as he was considered "too high-brow" for musical theatre,[12] but Mackintosh felt that a "pedigree" director was needed to ensure Valerie Eliot's approval of the project.[13] After much persuasion, Nunn came on board and was joined by his fellow RSC colleagues, choreographer Gillian Lynne and set and costume designer John Napier.[9][14] Nunn initially envisioned Practical Cats as a chamber piece for five actors and two pianos, which he felt would reflect "Eliot's charming, slightly offbeat, mildly satiric view of late-1930's London".[15] However, he relented to Lloyd Webber's more ambitious vision for the musical.[15] Nunn was also convinced that for the musical to have the wide commercial appeal that the producers desired, it could not remain as a series of isolated numbers but instead had to have a narrative through line.[14] He was therefore tasked with piecing the self-contained poems together into a story.[16] Nunn wrote about the significance "Grizabella the Glamour Cat" had on the construction of the narrative:

Clio Yun-su Davis is a game designer and writer who creates larps, tabletop roleplaying games, interactive fiction games, and card games. Their freeform game The Long Drive Back from Busan won the Golden Cobra Challenge award for Best Game That Incorporates Meaningful, Non-Romantic Relationships in 2017, and their game about the future of ancestor worship, The Truth About Eternity, was presented at Fastaval 2019 in Denmark. http://www.cysdavis.com 
The original London production received mostly rave reviews, with critics hailing it as a watershed moment in British musical theatre.[295] Michael Billington of The Guardian lauded Cats as "an exhilarating piece of total theatre". Billington praised the show's "strong framework" and the ease in which the poems were integrated. He was also very impressed by Lloyd Webber's fitting compositions, Napier's environmental set, Lynne's effective and at times brilliant choreography, and Nunn's "dazzling staging" that makes use of the entire auditorium.[296] The show received similarly glowing reviews from The Sunday Times' Derek Jewell and The Stage's Peter Hepple. Jewell proclaimed it to be "among the most exhilarating and innovative musicals ever staged",[295] while Hepple declared that with Cats, "the British musical has taken a giant leap forward, surpassing in ingenuity and invention anything Broadway has sent us".[297]

Spaying or neutering increases life expectancy: one study found neutered male cats live twice as long as intact males, while spayed female cats live 62% longer than intact females.[188]:35 Having a cat neutered confers health benefits, because castrated males cannot develop testicular cancer, spayed females cannot develop uterine or ovarian cancer, and both have a reduced risk of mammary cancer.[193]
Nunn was also adamant that the orchestra for Cats be hidden backstage — out of the audience's view — so as not to break the immersion.[90] Adding to the experience, the show usually includes a lot of audience interaction, such as during the overture when the cast don flashing "green eyes" as they make their way through the audience in the darkened theatre.[80][91] In the original Broadway production, catwalks were built to connect the stage to the boxes and balcony so as to give the cast access to the entire auditorium during the show.[92]
Cats debuted on Broadway on 7 October 1982 at the Winter Garden Theatre with a record-breaking $6.2 million in ticket pre-sales.[27] Most of the original creative team remained, with Martin Levan replacing Jacob as the sound designer and Stanley Lebowsky replacing Rabinowitz as music director. The musical was co-produced by the original London production team, along with David Geffen and The Shubert Organization.[103] It was the most expensive Broadway show ever mounted at the time with a production cost of $5.5 million,[104] though it recouped its investment in less than 10 months.[100] On 19 June 1997, Cats overtook A Chorus Line to become the longest-running show in Broadway history with 6,138 performances.[105] At the time, the musical was found to have had an economic impact of $3.12 billion on New York City and had generated the most theatrical jobs of any single entity in Broadway history.[95] A June closing date was announced in early 2000 but was subsequently pushed back after a resulting surge in ticket sales.[106] The show closed on 10 September 2000 after a total of 13 previews and 7,485 performances.[103] One actress, Marlene Danielle, performed in the Broadway production for its entire 18-year run.[72] Its Broadway-run record was surpassed on 9 January 2006 by The Phantom of the Opera, and Cats remains Broadway's fourth-longest-running show of all time. Overall, the original Broadway production grossed approximately $388 million in ticket sales.[107]
Cats have relatively few taste buds compared to humans (470 or so versus more than 9,000 on the human tongue).[91] Domestic and wild cats share a gene mutation that keeps their sweet taste buds from binding to sugary molecules, leaving them with no ability to taste sweetness.[92] Their taste buds instead respond to acids, amino acids like protein, and bitter tastes.[93] Cats also have a distinct temperature preference for their food, preferring food with a temperature around 38 °C (100 °F) which is similar to that of a fresh kill and routinely rejecting food presented cold or refrigerated (which would signal to the cat that the "prey" item is long dead and therefore possibly toxic or decomposing).[91]

For the first several weeks, kittens cannot urinate or defecate without being stimulated by their mother.[6] They also cannot regulate their body temperature for the first three weeks, so kittens born in temperatures less than 27 °C (81 °F) can die from hypothermia if their mother does not keep them warm.[7] The mother's milk is very important for the kittens' nutrition and proper growth. This milk transfers antibodies to the kittens, which helps protect them against infectious disease.[8] Newborn kittens are unable to produce concentrated urine, and so have a very high requirement for fluids.[9] Kittens open their eyes about seven to ten days after birth. At first, the retina is poorly developed and vision is poor. Kittens cannot see as well as adult cats until about ten weeks after birth.[10]
Several natural behaviors and characteristics of wildcats may have preadapted them for domestication as pets. These traits include their small size, social nature, obvious body language, love of play and relatively high intelligence.[57]:12–17 Captive Leopardus cats may also display affectionate behavior toward humans, but have not been domesticated.[54]
Clio Yun-su Davis is a game designer and writer who creates larps, tabletop roleplaying games, interactive fiction games, and card games. Their freeform game The Long Drive Back from Busan won the Golden Cobra Challenge award for Best Game That Incorporates Meaningful, Non-Romantic Relationships in 2017, and their game about the future of ancestor worship, The Truth About Eternity, was presented at Fastaval 2019 in Denmark. http://www.cysdavis.com 
Clio Yun-su Davis is a game designer and writer who creates larps, tabletop roleplaying games, interactive fiction games, and card games. Their freeform game The Long Drive Back from Busan won the Golden Cobra Challenge award for Best Game That Incorporates Meaningful, Non-Romantic Relationships in 2017, and their game about the future of ancestor worship, The Truth About Eternity, was presented at Fastaval 2019 in Denmark. http://www.cysdavis.com 
​We take pride in raising and occasionally breeding CFA registered Persians and Himalayans that are well socialized, have an excellent temperament, and are a compliment to the breed. Please feel free to explore our site and contact us with any questions. For pictures of available kittens, click on the "photos" tab above.  We are located in Central PA. Zimmra24@yahoo.com​

We recognize the expense many international backers need to pay in order to receive games from overseas. Digital versions of the game are an option you may want to consider. Atlas Games’ position as a long-established publisher of games also makes it very likely that your local game store will be able to carry copies of the Standard Edition of the game after its release. 
Jason Bradley Thompson's illustrations and maps have appeared in Dungeons  & Dragons, Call of Cthulhu and many other roleplaying games. He has also worked as a manga editor for Viz, co-designer of the tabletop games Cartooner and Mangaka, a DMsGuild content creator, a comics artist (HP Lovecraft's Dream-Quest of Unknown Kadath), and a story artist on Minions: The Rise of Gru. His map of Hot Springs Island is nominated for a 2019 ENnie Award for Best Cartography. He is currently working on a Dreamland tabletop RPG. (Click here to see a full-size version of his previous cartography work as shown below.)
The original concept of a set of contrasting numbers, without a dramatic narrative, meant that each song needed to establish some sort of musical characterization independent of the others and develop a quick rapport with the audience. Such a rapid familiarity and identification of purpose can be achieved through pastiche. But it was only a musical starting point, for the songs in Cats move beyond the straightforward "Elvis" pastiche of Joseph and the Amazing Technicolor Dreamcoat; they are less pointed, more the free workings within a range of chosen styles than direct copies of a specific performer or number. The audience responds to the musical differences, given an initial security provided by the familiarity of recognizable, underlying stylistic generalities.[75]

​We take pride in raising and occasionally breeding CFA registered Persians and Himalayans that are well socialized, have an excellent temperament, and are a compliment to the breed. Please feel free to explore our site and contact us with any questions. For pictures of available kittens, click on the "photos" tab above.  We are located in Central PA. Zimmra24@yahoo.com​
The musical was scheduled to open on 30 April 1981, with previews starting on 22 April. Shortly before tickets went on sale in mid-February, Nunn revealed to the alarmed producers that he was struggling to write the script for the musical. Despite still having no established book or score, rehearsals began on 9 March 1981 in a church hall in Chiswick, London. The original music director, Chris Walker, became so frustrated with the unfinished score that he quit by lunchtime and was replaced by the film conductor Harry Rabinowitz.[20] The situation improved later that day when Lloyd Webber, Mackintosh and Nunn met with Stilgoe, a musician known for his ability to improvise lyrics on the spot, in hopes that Stilgoe could write an opening song for the musical. By the next evening, Stilgoe had produced a draft for "Jellicle Songs for Jellicle Cats".[21] However, "Memory", an 11 o'clock number for Grizabella that Nunn insisted the show needed as its "emotional centre",[22] still had no lyrics at this point. Lloyd Webber's former writing partner Tim Rice was brought in to write a lyric for the song, but his version was rejected by Nunn for being too depressing. The lyrics for "Memory" were not completed by Nunn until well into the previews.[23]

^ Glen, A. S.; Dickman, C. R. (2005). "Complex interactions among mammalian carnivores in Australia, and their implications for wildlife management" (PDF). Biological Reviews of the Cambridge Philosophical Society. 80 (3): 387–401. CiteSeerX 10.1.1.452.7854. doi:10.1017/S1464793105006718. PMID 16094805. Archived (PDF) from the original on 22 September 2017.
The show was staged at the Det Ny Teater in Copenhagen, Denmark, in the 2002–2003 season.[201] This Danish production was translated by Adam Price and was one of the largest theatrical productions ever mounted in the country at the time with 100 performers, musicians and stagehands.[202] The first non-replica production of Cats was approved for a Polish production at the Teatr Muzyczny Roma in Warsaw.[203] Set in an abandoned film studio instead of a junkyard, the Polish version opened in January 2004 and closed in 2010.[204][205][206] The Gothenburg opera house staged a production with a Swedish-language script by Ingela Forsman; this version was reimagined to take place in an abandoned fairground and played from September 2006 to February 2007.[207] Other productions were also staged at the Divadlo Milenium in Prague from 2004 to 2005,[188] and a Norwegian revival at the Chat Noir in Oslo in 2009.[208] The first Italian-language production toured Italy in the 2009–2010 season.[209]
Encouraged by the reception to the first West End revival, producers began looking to bring Cats back to Broadway in early 2015.[108] The Broadway revival opened on 31 July 2016 at the Neil Simon Theatre.[109] It featured new choreography by Andy Blankenbuehler, with Nunn and Napier from the original creative team returning to direct and design respectively.[110] Scherzinger, who played Grizabella in the 2014 West End revival, had originally agreed to reprise the role on Broadway but later withdrew.[111] Leona Lewis was cast as Grizabella instead and was ultimately succeeded by Mamie Parris in October 2016.[64] The Broadway revival closed on 30 December 2017 after 16 previews and 593 performances.[109]
The original London production received mostly rave reviews, with critics hailing it as a watershed moment in British musical theatre.[295] Michael Billington of The Guardian lauded Cats as "an exhilarating piece of total theatre". Billington praised the show's "strong framework" and the ease in which the poems were integrated. He was also very impressed by Lloyd Webber's fitting compositions, Napier's environmental set, Lynne's effective and at times brilliant choreography, and Nunn's "dazzling staging" that makes use of the entire auditorium.[296] The show received similarly glowing reviews from The Sunday Times' Derek Jewell and The Stage's Peter Hepple. Jewell proclaimed it to be "among the most exhilarating and innovative musicals ever staged",[295] while Hepple declared that with Cats, "the British musical has taken a giant leap forward, surpassing in ingenuity and invention anything Broadway has sent us".[297]
Within the first 2 days after birth, kittens acquire passive immunity from their mother’s milk.[30] Milk within the first few days of parturition is called colostrum, and contains high concentrations of immunoglobulins.[30] These include immunoglobulin A and immunoglobulin G which cross the intestinal barrier of the neonate.[29] The immunoglobulins and growth factors found in the colostrum begin to establish and strengthen the weak immune system of the offspring.[31] Kittens are able to chew solid food around 5–6 weeks after birth, and it is recommended that 30% of their diet should consist of solid food at this time.[32] The kitten remains on the mother’s milk until around eight weeks of age when weaning is complete and a diet of solid food is the primary food source.[23]
Cats hunt small prey, primarily birds and rodents,[155] and are often used as a form of pest control.[156][157] Domestic cats are a major predator of wildlife in the United States, killing an estimated 1.4 to 3.7 billion birds and 6.9 to 20.7 billion mammals annually.[158][159] The bulk of predation in the United States is done by 80 million feral and stray cats. Effective measures to reduce this population are elusive, meeting opposition from cat enthusiasts.[158][159] In the case of free-ranging pets, equipping cats with bells and not letting them out at night will reduce wildlife predation.[155]

Atlas Games has been creating games for nearly three decades. We have launched, completed, and fulfilled four previous Kickstarter projects: Feng Shui 2, Unknown Armies 3, the third edition of Over the Edge, and the exciting card game Cogs & Commissars. While every project comes with its own special risks and demands, we’re confident that Magical Kitties Save the Day will be every bit as successful in its production and fulfillment as these other games.
"Memory" is the standout hit song from Cats. By 2002, the song had been played over two million times on radio and television stations in the US.[99] It was the most requested song at piano bars and lounges in the 1980s, and was an equally popular choice at weddings, concerts and other gatherings. As of 2006, the song had been recorded around 600 times by artists such as Barbra Streisand, Barry Manilow, Judy Collins, and Johnny Mathis, in covers ranging from easy listening to techno.[334] According to Sternfeld, it is "by some estimations the most successful song ever from a musical."[318]
Following the closure of the original West End production, a nationwide tour embarked in 2003 with Chrissie Hammond starring as Grizabella,[146][147] until Dianne Pilkington took over the role in 2006.[148] Hammond reprised the role on tour again from 2007 to 2008.[149][150] A UK tour of Cats launched in February 2013 at the Edinburgh Playhouse with Joanna Ampil as Grizabella,[151][152] running through 2014 before transferring to the West End.[153] In between its limited West End runs, the musical returned to the Blackpool Opera House Theatre in 2015, this time starring Jane McDonald as Grizabella.[154][155] After the second West End revival, the production toured the UK in 2016 with Anita Louise Combe as Grizabella and Marcquelle Ward as Rum Tum Tugger.[156][157]

Then, as Rum Tum Tugger's song fades, a shabby old grey cat stumbles out wanting to be reconciled; it is Grizabella. All the cats back away from her in fear and disgust and explain her unfortunate state ("Grizabella: The Glamour Cat"). Grizabella leaves and the music changes to a cheerful upbeat number as Bustopher Jones, a fat cat in "a coat of fastidious black", is brought to the stage ("Bustopher Jones: The Cat About Town"). Bustopher Jones is among the elite of the cats, and visits prestigious gentlemen's clubs. Suddenly, a loud crash startles the tribe and the cats run offstage in fright. Hushed giggling sounds signal the entrance of Mungojerrie and Rumpleteazer, a pair of near-identical cats. They are mischievous petty burglars who enjoy causing trouble around their human neighbourhood ("Mungojerrie and Rumpleteazer"). After they finish, they are caught off-guard and confronted by the rest of the cats.
Several ancient religions believed cats are exalted souls, companions or guides for humans, that are all-knowing but mute so they cannot influence decisions made by humans. In Japan, the maneki neko cat is a symbol of good fortune.[269] In Norse mythology, Freyja, the goddess of love, beauty, and fertility, is depicted as riding a chariot drawn by cats.[270] In Jewish legend, the first cat was living in the house of the first man Adam as a pet that got rid of mice.[271] The cat was once partnering with the first dog before the latter broke an oath they had made which resulted in enmity between the descendants of these two animals.[271] It is also written that neither cats nor foxes are represented in the water, while every other animal has an incarnation species in the water.[271] Although no species are sacred in Islam, cats are revered by Muslims. Some Western writers have stated Muhammad had a favorite cat, Muezza.[272] He is reported to have loved cats so much, "he would do without his cloak rather than disturb one that was sleeping on it".[273] The story has no origin in early Muslim writers, and seems to confuse a story of a later Sufi saint, Ahmed ar-Rifa'i, centuries after Muhammad.[274] One of the companions of Muhammad was known as "Abu Hurayrah" (Father of the Kitten), in reference to his documented affection to cats.[275]
Cats, like dogs, are digitigrades. They walk directly on their toes, with the bones of their feet making up the lower part of the visible leg.[69] Cats are capable of walking very precisely because, like all felines, they directly register; that is, they place each hind paw (almost) directly in the print of the corresponding fore paw, minimizing noise and visible tracks. This also provides sure footing for their hind paws when they navigate rough terrain. Unlike most mammals, when cats walk, they use a "pacing" gait; that is, they move the two legs on one side of the body before the legs on the other side. This trait is shared with camels and giraffes. As a walk speeds up into a trot, a cat's gait changes to be a "diagonal" gait, similar to that of most other mammals (and many other land animals, such as lizards): the diagonally opposite hind and fore legs move simultaneously.[70]
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